Fotografia humanista : uma perspectiva antropológica
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Data
2024-10-23
Autores
Libardi, Virgilio Cesar de Mello
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Editor
Universidade Federal do Espírito Santo
Resumo
This work focuses on photography, with an emphasis on reflections and theories related to humanistic photography, though the developed ideas can be adapted to a broader photographic practice. The research unfolded from the understanding that a reflexive approach enriches the investigation, facilitating the apprehension of the affects and inferences constructed through biografemas. The methodological approach and theoretical reflections aimed to define photography from an anthropological perspective, with a special focus on humanistic photography. The conceptual foundation is built by exploring my own affective relationship with photography, not only as a producer and researcher but, above all, as a spectator and subject impacted by these objects that mediate intersubjectivities. Next, a theoretical illustrative description of the social relations mediated by photographs is presented, considering the main actors: photographer, referent, and spectator. The theoretical discussion about the photographic nexus is then applied to the analysis of the lives and works of three photographers, articulated through biogrammatic writings. Finally, remarks are presented on the changes brought about by the transition from chemically fixed images to those generated by electronic sensors and binary interpretation. This last section poses a central question about the belief in the photographic image, opening up opportunities for future investigations on the photographic nexus whitin the field of social sciences
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Fotografia , Fotografia humanista , Nexo fotográfico , Relações sociais mediadas , Biografema , Photography , Humanistic photography , Photographic nexus , Mediated social relations , Biographem