Letras

URI Permanente desta comunidade

http://repositorio.ufes.br/handle/10/17524

Programa de Pós-Graduação em Letras

Centro: CCHN
Telefone: (27) 4009 2515
URL do programa: http://www.letras.ufes.br/pos-graduacao/PPGL

Navegar

Agora exibindo 1 - 4 de 4

1984, de George Orwell : uma leitura a partir da teoria crítica da sociedade
(Universidade Federal do Espírito Santo, 2024-03-20) Grobério, Júlia Bragatto; Co-orientador1; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador2; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador3; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador4; ID do co-orientador4; Lattes do co-orientador4; Orientador1; https://orcid.org/; http://lattes.cnpq.br/; Orientador2; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; 1º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 2º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 3º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 4º membro da banca; http://lattes.cnpq.br/; 5º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 6º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 7º membro da banca; https://orcid.org/; http://lattes.cnpq.br/
This work intends to answer how the dystopia 1984, written by George Orwell, can contribute to readers' ability to understand, beyond the surface, contemporary social phenomena. The objective of the research was to reflect on the role of the dystopia literary genre in the formation of critical readers. The hypothesis constituted is that the dystopia literary genre, even if written more than seventy years ago, as is the case in 1984, when describing social organizations characterized by intolerable living conditions, manages to criticize trends in current society, as it invites readers to broaden their reflection on contemporary social phenomena. The methodology is based on a qualitative research perspective, with an interpretative analysis of the book 1984, by George Orwell, based on concepts such as spectacle society and cultural industry, based on dialogue with the tradition of critical theory of society, inaugurated by the Frankfurt Institute for Social Research
Ana y Siervo siguen sin tierra: el realismo estético como aproximación al conflicto de la posesión de la tierra en los estudios literarios latinoamericanos
(Universidade Federal do Espírito Santo, 2022-02-22) Villa Ramírez, Oscar Jhony; Co-orientador1; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador2; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador3; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador4; ID do co-orientador4; Lattes do co-orientador4; Soares, Luís Eustáquio; https://orcid.org/; http://lattes.cnpq.br/; Orientador2; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Amaral, Sérgio da Fonseca; https://orcid.org/; http://lattes.cnpq.br/; Roux, Guillaume Bruno; https://orcid.org/; http://lattes.cnpq.br/; 3º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 4º membro da banca; http://lattes.cnpq.br/; 5º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 6º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 7º membro da banca; https://orcid.org/; http://lattes.cnpq.br/
Durante el año 2021, y solo hasta el mes de septiembre, en Colombia se han contado más de 57.000 desplazados de forma violenta desde sus territorios1 . Este fenómeno se ha venido presentando desde mitad del siglo XX, sin embargo, a pesar del reciente acuerdo de paz entre las FARC-EP2 y el Gobierno del Presidente Juan Manuel Santos, el fenómeno se ha intensificado. Esto nos lleva a pensar en los motivos por los cuales el conflicto ha durado más de 50 años, y la respuesta podría encontrarse en expresiones literarias como Siervo Sin Tierra (1950), del autor colombiano Eduardo Caballero Calderón. Con el objetivo de entender la naturaleza, el surgimiento y la duración de este conflicto, encontramos una obra brasilera llamada Ana Sem Terra (1990) del autor Alcy Cheuiche. En ella, también se relata un conflicto violento que termina trágicamente, y cuyos orígenes pueden tener cierta relación con el conflicto colombiano a pesar de sus particularidades. Para entenderlo, haremos un análisis de las dos obras en torno al Realismo Estético. Adicionalmente, estaremos apoyándonos en M. Heidegger y R. Espósito para entender la relación de la tierra con quien la posee y la función de la misma como cosa, razón por la cual se torna en motivo de disputa. Como resultado, la relación entre ambas obras puede ser el punto de partida para abordajes integradores de la realidad latinoamericana en torno a sus conflictos sociales explicando su duración, origen y naturaleza.
Macunaíma, de Mário de Andrade : uma leitura em face da teoria crítica de Walter Benjamin
(Universidade Federal do Espírito Santo, 2024-03-12) Deleprani, Felício Oscar; Co-orientador1; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador2; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador3; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador4; ID do co-orientador4; Lattes do co-orientador4; Orientador1; https://orcid.org/; http://lattes.cnpq.br/; Orientador2; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; 1º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 2º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 3º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 4º membro da banca; http://lattes.cnpq.br/; 5º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 6º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 7º membro da banca; https://orcid.org/; http://lattes.cnpq.br/
This research aims to address the following research question: to what extent does Mário de Andrade's work Macunaíma: o herói sem nenhum caráter incorporate the experience (Erfahrung) mentioned by Walter Benjamin in the essay The Storyteller: considerations about the work of Nikolai Leskov. In an attempt to answer this question, the main objective was established as the analysis of the Mário de Andrade's rhapsody in the context of Walter Benjamin's critical theory. Methodologically, three specific stages were delineated for the research. The first involved a survey in the Biblioteca Nacional de Teses e Dissertações (BDTD) database to understand the current state of research addressing the connections between Mário de Andrade and Walter Benjamin. In the second stage, detailed in the second chapter of the dissertation, the aim was to establish elective affinities between the two authors based on their readings of figures such as Sigmund Freud and Charles Baudelaire. Lastly, in the third stage, the objective was to extract the analytical categories present in The Storyteller: considerations about the work of Nikolai Leskov and conduct an analytical reading of Macunaíma in light of these categories. The finds indicate that the analyzed rhapsody incorporates, as a condition for the elaboration of experience (Erfahrung), "orality" (Mündlich), narrative rooted in the "people" (Volk), "tedium" (Langeweile), and the "art of giving advice" (Rat Geben). These results suggest that in Macunaíma, Mário de Andrade seeks an immersion in Brazil's pre-industrial era to incorporate this experience (Erfahrung) into the 20th-century modernist aesthetic. This updating expands the understanding of the impact that Mário de Andrade's literary work had on the formation of the Brazilian people's identity
Vozes negras em movimento: reivindicações feministas e ancestrais nas performances do coletivo “Sarau das Pretas”
(Universidade Federal do Espírito Santo, 2022-04-01) Perozzo, Stefania; Co-orientador1; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador2; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador3; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador4; ID do co-orientador4; Lattes do co-orientador4; Schiffler, Michele Freire; https://orcid.org/; http://lattes.cnpq.br/; Castagna, Vanessa; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Caser, Maria Mirtis; https://orcid.org/; http://lattes.cnpq.br/; Girotto, Alice; https://orcid.org/; http://lattes.cnpq.br/; 3º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 4º membro da banca; http://lattes.cnpq.br/; 5º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 6º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 7º membro da banca; https://orcid.org/; http://lattes.cnpq.br/
This research aims to analyze the literary and artistic production of the group Sarau das Pretas, created in Sao Paulo in 2016. It is composed by four black women and a trans man, all of them coming from the marginal spaces of the suburbs; the group is an interesting evidence of the actual landscape of Brazilian marginal literature’s dynamicity, particularly the feminine and black one. Its art combines many artistic languages like poetry, dance, and music. It offers considerations about black women’s identity, guided by themes such as the body, the feminine, the ancestry and the Afro-diasporic culture; it also reports the racism and the sexist violence in the Brazilian society. The Sarau is therefore configured as a space of black women’s protagonism through the stimulation of their literary and artistic production and the creation of an environment based on listening, dialogue, sharing and empowerment. Besides highlighting the group’s artistic quality – examined through the lenses of performance studies–, the objective of this research is underlining its political, social and cultural demands, as well as its messages of pride, respect and care for black identity.