Filosofia

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http://repositorio.ufes.br/handle/10/17515
Programa de Pós-Graduação em Filosofia

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URL do programa: http://www.filosofia.ufes.br/pt-br/pos-graduacao/PPGFil

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Navegando Filosofia por Assunto "Aesthetic"

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    A metafísica platônica como estética inteligível : considerações sobre imagem e visão nos livros VI e VII da República
    (Universidade Federal do Espírito Santo, 2013-07-26) Curbani, Weriquison Simer; Francalanci, Carla Costa Pinto; Bocayuva, Izabela Aquino; Souza, Thana Mara de
    The study consists in investigate how aesthetics arises as significant element in the composition of the dialogue Republic. It pass through this work from the beginning to the end framing it in beauty. There are numerous passages that mention the archaic poets, it worships the music, as such as the art of the Muses, the appreciation of harmony, the rhythm, by the symmetry, finally, there is in the Republic a aesthetic care in its architecture. Having seen, then, that beauty occupies a considerable place in the dialogue, we look for to valorize it and put it in evidence from the artistic, to forge a path that lead us, increasingly, to face the beauty as something not be restricted to the sensible, since, in the case of Plato, the most splendorous beauty lies in the intelligible. In this sense, we propose to take the Platonic metaphysics of ideas as intelligible aesthetic, aiming at finding the beautiful supersensible possible be contemplated by the philosophical intellect. This is because the ideas are intelligible forms , which are shown in its perfection to the intellect. The idea is essentially one single unit, which sensible objects imitates and receives their being. In other words, the idea is the aspect that presents itself to the intellect of the philosopher. And with this intention of taking Platonic metaphysics as intelligible aesthetic, we made some considerations about image and vision . Such considerations follow in the direction of taking the image as a metaphor, as figurative language used as a resource to leads to souls to intelligible, and vision, means intellectual vision, a philosophical view. Finally, we will see, the activity of philosopher will consist to see the beautiful scenery of the ideas in intelligible.
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    Consciência estética e experiência com a arte na hermenêutica gadameriana
    (Universidade Federal do Espírito Santo, 2013-03-27) Gama, Weksley Pinheiro; Oliveira, Bernardo Barros Coelho de; Wu, Roberto; Luchi, José Pedro
    This dissertation starts with the basis of Gadamer's critique of the aesthetic consciousness on the context of the natural sciences grounding and due to the establishment of natural sciences. Considering Gadamer's opposition on the prevalence of natural sciences' methods in all spheres of human experience in the world, our effort will be towards understanding of the aesthetic experience. In this sense, we approach aisthesis focusing the problem around art from Plato and Aristotle’s perspective, reaching the aesthetic establishment as a specific field of the philosophical knowledge in Baumgarten’s illuminist thought. Additionally, this study intends to approach the aesthetic consciousness basis, which lies in the subjection derived from Kant’s critical thought. After that, we will approximate Gadamer’s perspectives in order to liberate the experience of art from the aesthetic consciousness field, which according to this philosopher, might be considered as a truth, even if not being restricted to the natural sciences methods. From this prerogative, Gadamer uses the notion of game as experience, outside the subjective centrality. By redirecting the experience, the artistic phenomenon may be seen as a constitutive part of the human existential experience not being restricted to subjective faculties.