Comunicação e Territorialidades

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http://repositorio.ufes.br/handle/10/17459
Programa de Pós-Graduação em Comunicação e Territorialidades

Centro: CA
Telefone: (27) 4009 2024
URL do programa: http://www.comunicacaosocial.ufes.br/pos-graduacao/POSCOM/

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Navegando Comunicação e Territorialidades por Autor "Alvarenga, Alexandre Curtiss"

Agora exibindo 1 - 5 de 5
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    A competência discursiva na divulgação de ciência pela televisão
    (Universidade Federal do Espírito Santo, 2019-08-30) Figueiredo, Michael Rosa; Alvarenga, Alexandre Curtiss; https://orcid.org/0000-0001-6762-9282; http://lattes.cnpq.br/3817609373788084; https://orcid.org/0000-0003-2624-281X; http://lattes.cnpq.br/4086313071108192; Henriques, Rafael da Silva Paes; https://orcid.org/0000000218125886; http://lattes.cnpq.br/4260742302003843; Ribeiro, Renata de Rezende; https://orcid.org/0000-0002-3380-1600; http://lattes.cnpq.br/0869559062728292
    The intention of this research is to understand the discursive competence of the miniseries “The Elegant Universe”, a science popularization TV program aired in 2003 by the US broadcaster Public Broadcasting Service (PBS), through the theoretical framework of the economics of linguistic exchanges, by Pierre Bourdieu. From the study, it was verified the characteristics and elements that serve to the audience to recognize the legitimacy of the message issued by the speakers authorized to talk about the subject - the presenter and physicist Brian Greene and the scientists interviewed - and the translational potential of specialized speech into the simple and common language of everyday life. The development of the work began with the reflection about contemporaneity, the production of knowledge and the science popularization; then it discussed discursive competence and linguistic exchanges, as well as the relations between scientific field, territory and communication; finally, we come to the analysis of the three episodes that deal with the development of String Theory, when it was understood the agents habitus dispositions resulting from their practices legitimized by the scientific field that give them the linguistic capital necessary to generate favorable symbolic profit to their speech.
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    ESTRATÉGIAS DISCURSIVAS DE ENGAJAMENTO SOCIAL DO MOVIMENTO “ESCOLA SEM PARTIDO” NO FACEBOOK
    (Universidade Federal do Espírito Santo, 2020-12-17) Carneiro, Frederico de Souza Ramos; Reis, Ruth de Cassia dos; https://orcid.org/; http://lattes.cnpq.br/2483123134241477; https://orcid.org/; http://lattes.cnpq.br/; Lima, Fabio Luiz Malini de; https://orcid.org/; http://lattes.cnpq.br/8284809605215682; Geraldes, Elen Cristina; https://orcid.org/; http://lattes.cnpq.br/; Alvarenga, Alexandre Curtiss; https://orcid.org/; http://lattes.cnpq.br/3817609373788084
    The research wants to understand the discursive strategies operated by the Escola Sem Partido (ESP) Movement by promoting the discourse against ideological indoctrination on Facebook with the purpose of engaging users. The use of persuasive means, ethos
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    Imagem e territorialidades : cidadania e direitos humanos no campo do audiovisual
    (Universidade Federal do Espírito Santo, 2018-05-02) Mação, Patrik Camporez; Zanetti, Daniela; Alvarenga, Clarisse Maria Castro de; Alvarenga, Alexandre Curtiss
    This work investigates the connections between the fields of cinema and audiovisual and of citizenship and human rights through the public policies study of audiovisual inclusion implemented in the years 2000 in Brazil. The research analyses the inclusion of topics related to Human Rights and Citizenship in the audiovisual field, aiming to study two fostered programs released the first half of the years 2000: Revelando os Brasis e Mostra Nacional de Cinema e Direitos Humanos. Aiming with it, comprehend the symbolic changes promoted by the images usage through expansionist initiatives for cinema and audiovisual practices, using them as a resource for social inclusion. This phenomenon parallels a period in which the Government adopts public resources democratization in the audiovisual scope. Cinema starts to be, in fact, seen as a public policy and as a tool to strengthen traditions, identities and regionalities. Therefore, audiovisual will be analyzed, in this study, from the territories and of territorialities perspective
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    TERRITORIALIDADES AUDIOVISUAIS E DESLOCAMENTOS: OS PROTAGONISTAS NEGROS NO CINEMA DE QUENTIN TARANTINO
    (Universidade Federal do Espírito Santo, 2019-04-22) Rocha, Delio Freire; Zanetti, Daniela; https://orcid.org/; http://lattes.cnpq.br/1014410108339962; https://orcid.org/; http://lattes.cnpq.br/; Freitas, Kenia Cardoso Vilaca de; https://orcid.org/; http://lattes.cnpq.br/; Alvarenga, Alexandre Curtiss; https://orcid.org/; http://lattes.cnpq.br/3817609373788084
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    VERÔNIKA EM MUTAÇÃO PUNKDRAG: MATERIALIDADES ANALÓGICAS E VESTÍGIOS CIBERCULTURAIS DO UNDERGROUND PAULISTA NOS ANOS 2000
    (Universidade Federal do Espírito Santo, 2021-09-03) Bastos, Herbert Pablo; Zanetti, Daniela; https://orcid.org/0000-0002-3252-2271; http://lattes.cnpq.br/1014410108339962; https://orcid.org/0000-0002-0480-9822; http://lattes.cnpq.br/3979131424564839; Souza, Flavia Mayer dos Santos; https://orcid.org/0000000337248109; http://lattes.cnpq.br/7612159350183081; Camarneiro, Fabio Diaz; https://orcid.org/0000-0002-1767-3610; http://lattes.cnpq.br/5820527580375928; Alvarenga, Alexandre Curtiss; https://orcid.org/; http://lattes.cnpq.br/3817609373788084
    The research is an archaeological practice of remaining media containing records from the Show Species, an electronic music opera staged through dance and voice acting, scripted and directed by DragQueen Verônika in 2000 in São Paulo. Belonging to this temporality between analog and digital, such as VHS tapes, continuous micromedia and developed photos, were classified and grouped in the collection corpus both for their physical characteristics and for the aesthetic content of the files from the structuring of two axes of analysis: the first examines the material, from the investigation of the communication supports in disuse, the practice of accessing and digitizing the messages contained therein; and a second, with a discursive focus, interested in the spectacle's narrative, with its representations of cyberspace, hybrid characters of organisms with systems and its technological visuality conceptualized as PunkDrag. In both analytical axes, we present the convergence of the transparency of communication flows as the main indicators of the rearrangements of cultural temporalities during the transition between the millenniuns. For this, we will observe the accelerated replacement of media devices that occurred at the beginning of the 21st century and the consequent erasure of messages, aiming to point out possible ways of preserving them, and we will investigate the generative path of meaning in the structures present in the Show Species visual metaphors, which were conceived in this interface of exchanges between art and then emerging digital medium, as belonging to the cyberpunk style, the aesthetic axis of Cyberculture.