PPGL - Teses de doutorado
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- ItemA intuição como método na composição de Água viva (versão final), de Clarice Lispector: a vizinhança da literatura e a filosofia de Bergson(Universidade Federal do Espírito Santo, 2014-08-26) Oliveira, Carlos André de; Soares, Luís Eustáquio; Miranda, Wander Melo; Chiaretto, Marcelo; Salgueiro, Maria Amélia Dalvi; Azevedo Filho, Deneval Siqueira deThe present study aims to investigate the intuition as the method of creating Clarice Lispector process, analyzing the relationships between literature and philosophy. It can be seen in the writings of this author a thinking experience with literary language in the vicinity of philosophy. The Water Live text (final version), border text, which is located in the medial space, the margin between the literary and philosophical, is the main corpus of this work, allowing certain boundaries. However, other texts Clarice also serve as support of research. The hypothesis guiding this research would be that the literary work of this author was ever actually thought about. No logical thinking, rational, Cartesian or existentialist. But another mode of thought: the thought behind the thought, the duration, and its variations, which in our view is directly linked to intuition and allows closer Clarice Lispector and the philosophy of Henri Bergson. But our goal is not to seek a relationship of absolute identity between the literature of Clarice Lispector and the philosophy of Henri Bergson, but to find becomings which are linked with or coexist in levels, in areas of proximity, indiscernibility, undifferentiated . The intuition that appears in the text of Clarice Lispector is not identical to Bergson (philosophical intuition), but another kind of intuition: the aesthetic intuition that goes further than philosophy because it makes things more in length, putting us directly duration in real temporality.
- ItemDa imagem das mãos ao corpo sem órgãos: um olhar sobre a personagem Paulo Honório do romance S. Bernardo, de Graciliano Ramos(Universidade Federal do Espírito Santo, 2017-09-28) Sandrini, Elizabete Gerlândia Caron; Soares, Luis Eustáquio; Trefzger, Fabíola Simão Padilha; Azevedo Filho, Deneval Siqueira de; Correia, Alda Maria Jesus; Chiaretto, MarceloThe corpus for this thesis was the second novel by Graciliano Ramos, S. Bernardo. Published in 1934, the narrative is made up of accounts by the character-writer Paulo Honório, the focus of this study. The objective was to point out how the character becomes a body free from interpretation and judgment though molded by body organizing modes of life, i.e., a body without organs – unblocked by dominating hierarchical organizations; transcendences organized to draw useful labour from individuals. In short, a new body that results from a world of pure difference in Deleuze&Guattari‘s terms. In this perspective, the critical analysis focused on the relationship between Paulo Honório and the other characters – especially with Madalena, his wife – and also between him and literary art. Inthe light of the theoretical frameworks by Jacques Lacan, Sigmund Freud, Gilles Deleuzeand Felix Guattari, among others, including critics of Graciliano Ramos, the organized body of the protagonist – marked by the sociopolitical economic context – was analyzed in view of the unveiling oddity of this body – starting with hands – that is remade into a new body, powerful to affect and be affected – without organs – transgressor of modes of life, denouncer of models, standards and norms ingrained in an organic organization of bodies.
- ItemDo vivido ao escrito : o testemunho de Lima Barreto em Diário do hospício e O cemitério dos vivos(Universidade Federal do Espírito Santo, 2017-09-29) Silva, Cinthia Mara Cecato da; Salgueiro, Wilberth Claython Ferreira; Pizzol, Rafaela Scardino Lima; Azevedo Filho, Deneval Siqueira de; Pinto, Wilson Coelho; Souza, Geraldo Majella deThis argumentative text proposes to instigate reflections that approximate the literary production of the Carioca writer Lima Barreto (1881-1922) to literature with a testimonial content. Analyzing the plot of the works that had the floor of the asylum, Diário do Hospício (2010) and O cemitério dos vivos (2010), we tried to investigate four essential aspects to strengthen the arguments made. They are: hospice, madness, asylum practices and, finally, testimony. Agglutinated – as in a "web? – they aim to support the hypotheses raised, qualifying the Brazilian psychiatric system of old as inefficient, since it functioned - despite the initial intentions of improvement - much more as a practice of elite domination determined to give visibility to "doctor status," than a mental health institution capable of treating "madness." For the development of this research, which sees exposed collective fractures overlapping a literature exclusively of itself, there was a determined selection of scholars, such as: Michel Foucault, Pierre Bourdieu, Márcio Seligmann-Silva, Beatriz Resende, Antonio Arnoni Prado, Roberto Vecchi, Lilia Moritz Schwarcz, among others. Full references to the arguments, all in their way, allowed to find intersections that lead to a point in Lima Barreto: between what was lived and what was written, there are traces that need to be recovered, albeit literarily, in honor of the then guests of the defunct Hospital Nacional de Alienados.
- ItemEspumas de histórias calcadas na história: "A insólita fortuna" de Luiz Guilherme Santos Neves num jogo dialógico com outras obras desse autor, preenchimento de vazios(Universidade Federal do Espírito Santo, 2015-02-27) Barros, Cláudia Fachetti; Azevedo Filho, Deneval Siqueira de; Franco, Sebastião Pimentel; Sodré, Paulo Roberto; Oliveira, Ester Abreu Vieira; Delmaschio, Andréia PenhaIn this work we discuss the possibilities for a dialogue between History of Clio and Literature of Calliope, glimpsed in the works A nau decapitada, As chamas na missa, O templo e a forca and O capitão do fim, Luiz Guilherme Santos Neves. The creative role of literature enters the threshold of its contact with history where the narrative activates the imagination. We will review the look of the fictional author, his writing and insight into the historical moment experienced in Brazil in the narratives studied. Both seek to uncover the world of Clio, the world of suspicion and uncertainty, and, what was once told in a way, can be counted tomorrow another. And in this retelling discuss issues, History, Literature, Historical Fiction and Novel, in which literary and historical texture approach and also depart in a dialogue has been resumed with greater emphasis on contemporaneity.
- ItemO Haroldo de Campos transfinito: espírito, signo e matéria num possível (neo)romantismo em A máquina do mundo repensada(Universidade Federal do Espírito Santo, 2015-06-25) Pachito, Ernesto de Souza; Azevedo Filho, Deneval Siqueira de; Cunha, Betina Ribeiro Rodrigues da; Delmaschio, Andreia Penha; Paz, Gaspar Leal; Machado, LinoSince Courbet times, many artists tried to suppress metaphysics from the language of arts in general, including poetry. Many of them made this wide and deep movement with a sense of struggle of classes, being marxists or not. In XXth century, many wings of modernism intensified the search for this goal. At the end of the same century, in the turning to XXIst century, Haroldo de Campos wrote his poem A Máquina do mundo repensada (2000) a work where the lyric subject finds himself caught between complementary oppositions that didn't go to a superior term, at the end of the writting. These dualities were not subsumed under any general term. Metaphysics or not? A world constituted only by matter or there would be something more beyond matter? In this work Haroldo de Campos made the historical and philosophical review of practically all cosmology since Ptolomeu to contemporary times. At the end of the poem he is still in a dilemma between an immanent and a transcendental God, or agnosticism. A Máquina do mundo repensada is a construction full of reverberations of sounds and images, these echoes make fields that project themselves and all signs beyond mere phonetic and imagetic matter, and they operate with symbols (in Wolfgang von Goethe's sense) whose semantic field vanishes into uncertainty and infinity. Peirce, his concept of quale-counsciousness, his monism and his sinechism. The possibility and/or the importance of a sense of ethics in arts after so called relativistic post-modernism.
- ItemPoéticas da visualidade: a literatura multigenérica na cena contemporânea brasileira(Universidade Federal do Espírito Santo, 2014-10-27) Pimentel, Daise de Souza; Azevedo Filho, Deneval Siqueira de; Trefzer, Fabíola Simão Padilha; Salgueiro, Wilberth Claython Ferreira; Paiva, Jair Miranda de; Delmaschio, Andreia Penha; Souza, Geraldo Majella deThis work proposes a panoramic investigation on Brazilian Contemporary Literature. Its main focus is the mixture of the several codes and hybrid genres in this literature. The multiartist Nuno Ramos appears as the main writer who represents this tendency. His works Cujo (1993), O pão do corvo (2001), Ensaio Geral (2007), Ó (2008), and Junco (2011) are analysed briefly in this dissertation. In a complementary way, my text also brings to light some brief analyses on short stories by Silviano Santiago, Sérgio Sant’Anna and João Gilberto Noll and on a novel by Lourenço Mutarelli, a graphic-novel writer. To give theorical support to my own arguments, I had the help of texts by Walter Benjamin, Maurice Merleau-Ponty, Michel Foucault, Jacques Rancière, David Harvey, Hal Foster, Georges DidiHuberman, Catherine Millet, Anne Cauquelin, Lucia Helena, Helena Bonito Pereira, Karl Erik Schøllhammer, Eduardo Jorge and others literary philosophers, historians and critics of the current art.