Mestrado em Ciências Sociais

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17512

Nível: Mestrado Acadêmico
Ano de início: 2008
Conceito atual na CAPES: 4
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019). Publicação no DOU 18 de março de 2019, seç. 1 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51).
Periodicidade de seleção: Anual
Url do curso: https://cienciassociais.ufes.br/pt-br/pos-graduacao/PGCS/detalhes-do-curso?id=53

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Navegando Mestrado em Ciências Sociais por Autor "Alvarenga, Alexandre Curtiss"

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    Como se eu tivesse no passado: mito-práxis audiovisuais entre jovens indígenas
    (Universidade Federal do Espírito Santo, 2019-09-30) Brocco, Marlos Marques; Silva, Sandro Jose da; https://orcid.org/0000000241249430; http://lattes.cnpq.br/9873497099288005; https://orcid.org/0000-0003-3380-6599; http://lattes.cnpq.br/0620306219684894; Pinto, Nicole Soares; https://orcid.org/0000-0002-6450-6794; http://lattes.cnpq.br/0101695199440843; Alvarenga, Alexandre Curtiss; https://orcid.org/; http://lattes.cnpq.br/3817609373788084
    The starting point of this dissertation is the audiovisual production of Tupinikim and Guarani indigenous people from Aracruz-ES, seeking to analyze the works, authors and conduction of aesthetic and identity production by young indigenous people, based on ethnographic reflections. We observed the differences in the filming conditions and aesthetic choices according to several local proposals. These proposals approach the relations between the young people involved in the productions, as well as other agents who participate and are interested in the indigenous perspective in the audiovisual. Through Prolind-UFES (Indian Degree Program) I met young people involved in audiovisual productions who set out to build a record of ancestral memory, festivals, rites and myths. From the descriptions of identity, we can see the myths evoked in indigenous cinema through the theoretical horizon, crossed by the concept of Marshall Sahlins' mythopraxis, as the production of the script of the movie Enorme Gavião do Tupinikim Tiago Kauê.
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    Entre a ciência e a mídia, um olhar sobre a (re)significação do conceito de agroecologia
    (Universidade Federal do Espírito Santo, 2018-03-22) Paiva, Raquel Lucena; Azevedo, Elaine de; Creado, Eliana Santos Junqueira; Alvarenga, Alexandre Curtiss
    This research analyzes the signification process of Agroecology in journalistic matters produced by news sites with hegemonic and counter-hegemonic profile in the southeast region, of Brazil. From the concept of Agroecology delineated by science and by social movements, this study examines the transition of agroecological discourse when inserted in the discursive formation of journalism. Considering the discursive and non-discursive context in which the news is inserted, it was observed the low visibility attributed to the theme and the absence of social movements as sources of the news produced by hegemonic journalism, whereas in counterhegemonic journalism the participation of social movements presented itself as decisive for the discussion of the agroecological theme. The analysis of the content also presented contrasting results between the two journalism profiles, the first ones used the word in matters that, as a rule, only touched the theme and the second presented a considerable amount of texts that presented principles, public policies, social mobilizations, risks related to pesticides, among other information related to the theme. The theoretical assumptions of Critical Discourse Analysis led to research and the environmental dimension was also evidenced through the analysis of the environmental discourses present in the texts.