Mestrado em Filosofia

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17517

Nível: Mestrado Acadêmico
Ano de início: 2008
Conceito atual na CAPES: 4
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019). Publicação no DOU 18 de março de 2019, seç. 1 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51). Publicado no DOU 28/07/2005, seção 1, página 11)
Periodicidade de seleção: Semestral
Área(s) de concentração: Filosofia
Url do curso: https://filosofia.ufes.br/pt-br/pos-graduacao/PPGFil/detalhes-do-curso?id=47

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Navegando Mestrado em Filosofia por Assunto "Aesthetics"

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    A hermenêutica da obra de arte : a experiência da arte como um jogo infinito entre pergunta e resposta em Gadamer
    (Universidade Federal do Espírito Santo, 2011-06-15) Bom Jesus Neto, Antonio Almeida do; Oliveira, Bernardo Barros Coelho de; Werle, Marco Aurélio; Souza, Thana Mara de
    What does it mean to understand a work of art? Hermeneutics, according to Hans Georg Gadamer, is identified with a question and answer structure within a limit of a possible conversation. A work of art can be understood as a text. But is not any question that we can direct to the work. For this, we need to get the point. Would it be an appropriative method, ie, we win the issue and so we can dominate what is being worked at a work? The game concept is, in our project, reconsidered in the light of Gadamer. This will allow us to show the game of art where only participating of it, where gain the issue makes sense. Thus, articulating the notion of playing with the idea of "logic" question and answer we will endeavor to show such a possibility from the perspective of interpretative Gadamerian that one can understand the work of art as well as a text. Understanding and interpreting are not activities related only to texts but they both expresses daily experience of the human being in the world. When we understand the tradition, we don’t understand only a text, but also views and insights that can be recognized also as truths. Henceforth, we will try to investigate the phenomenon of understanding directing this to the experience of art. Understanding that never runs out. The work of art as a text challenges us to think about what kind of comprehension is this that is always renewed, that is always possible. What has the genuine work of art to participate (belong) to the inexhaustible "character" things? Thus the relevance of our study is to investigate exactly why, either ancient or modern art, the experience of such work goes over, in an essential way, the whole subjective horizon of interpretation of both the author (artist) and the receiver that takes the work. Where nobody has the last word.