Artes

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http://repositorio.ufes.br/handle/10/17433

Programa de Pós-Graduação em Artes

Centro: CAR
Telefone: (27) 4009 7860
URL do programa: http://www.artes.ufes.br/pt-br/pos-graduacao/PPGA

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Agora exibindo 1 - 20 de 235

A "forma-tela" : modos de pensar a tela do cinema na arte contemporânea
(Universidade Federal do Espírito Santo, 2018-09-24) Ferreira, Alana de Oliveira; Vieira Júnior, Erly Milton; Alves, Gabriela Santos; Pinto, Gabriel Menotti Miglio
The dissertation investigates the questions related to the use os th cinema screen in the spaces of contemporary art, how art deconstructs the normative screen of cinema to create new relation between the spectator and the screen-form within that environm
A ampliação de limites na obra de Carlos Vergara
(Universidade Federal do Espírito Santo, 2012-10-01) Ferreira, Iris Maria Negrini; Bezerra, Ângela Maria Grando; Lopes, Almerinda da Silva; Távora, Maria Luísa Luz
This Master s degree dissertation had as its object on the work ok carlo Vergara, with a focus on work done in 1960s: Happening G4, Berço Esplêndido, Brinquedo (Ojetos-módulos), Empilhamentos, in addition to works of the 1990s and 2000s, such Capela do Mo
A arquitetura nas cantigas de Santa Maria
(Universidade Federal do Espírito Santo, 2017-04-13) Covre, Bárbara Dantas Batista; Costa, Ricardo Luiz Silveira da; https://orcid.org/000000029835862x; Neves, Alexandre Emerick; Leão, Angela Vaz; Vargas, Paulo Sérgio de Paula
The king Alfonso X believes in the power of the Virgin Mary to overcome the evil. He order scholars and craftsmen to produce the Cantigas de Santa Maria, compendium with more than four hundred reports of miracles and praises to the Virgin, versed in galic
A arte do retrato em Gerd Bornheim
(Universidade Federal do Espírito Santo, 2021-09-17) Ribeiro, Erika Maria Mariano; Paz, Gaspar Leal; https://orcid.org/0009-0002-1139-1791; http://lattes.cnpq.br/5152530982132224; https://orcid.org/0000-0002-6444-9793; http://lattes.cnpq.br/4887789541641901; Guimarães, Aissa Afonso; https://orcid.org/0000-0001-9626-4606; http://lattes.cnpq.br/5450445723454857; Queiroz, André Luis dos Santos; https://orcid.org/; http://lattes.cnpq.br/1382398449392571
This study proposes a contextualization of the aesthetic-philosophical trends present in Gerd Bornheim's work. The author was an important Brazilian thinker who stood out for his studies on modern and contemporary philosophy, and for several critical reflections on themes such as art, creativity, perception, theater, expression, dialectics, among others. His valuable philosophical propositions contribute to a better aesthetic-political and cultural understanding through his role as a public intellectual, teacher and opinion maker. The art of portraiture in Gerd Bornheim performs in two perspectives. At first, it is a study on the origin, trajectory and work of the philosopher with the intention of interpreting and preserving his memory. The deepening of the Bornheimian itinerary will be contrasted, in a second moment, as an analysis of the philosophical and contemporary issues related to the construction of the individual's portrait from the development of subjectivity and alterity in the artistic fields of painting, literature and photography.
A arte em redes sociais : práticas de pós-produção de Anne Horel e Petra Cortright
(Universidade Federal do Espírito Santo, 2017-07-14) Leonardo, Gustavo Barata; Lima, Fábio Luiz Malini de; Lopes, Almerinda da Silva; Goveia, Fábio Gomes
The present dissertation aims to investigate and explain social media art and how it is used through these online environments by gathering Nicholas Bourriaud´s post-production practices with the universe of pre-existing and constantly reformatted by its
A cadeira de madeira torneada : objeto de desejo doméstico e produção moderna presente na obra "O importuno", de Almeida Júnior
(Universidade Federal do Espírito Santo, 2014-06-06) Buzetto, Denise Maria Chane; Cirillo, Aparecido José; Cavalcanti, Ana Maria Tavares; Bezerra, Ângela Maria Grando
This paper addresses the thematic paintings of interiors, its object of study is the presence of the chair bent wood type Thonet , an inserted object in domestic work The Annoying, José Ferraz de Almeida Júnior (1859-1899), as index, a contamination of th
A canção como espaço de confluência das artes
(Universidade Federal do Espírito Santo, 2022-09-22) Leite, Idayana Maria Borchardt; Freitas, Alexandre Siqueira de; https://orcid.org/0000-0002-4989-352X; http://lattes.cnpq.br/4616788871589192; Sanmartin, Stela Maris; http://lattes.cnpq.br/3169230790004855; Caznok, Yara Borges
This research seeks to investigate how the song can be configured as a space of confluence of the arts and how this perspective of its exploration can be applied in a didactic way in the context of regular education. Therefore, starting from a qualitative study that focuses on song and the integrated arts, under the theoretical contribution of Freitas (2012), Tatit (2012) and Caznok (2015), among other authors, we investigate the possibilities of dialogues between the Brazilian popular song and other artistic languages, to be developed in the classroom. At first, we develop some reflections on music and its relationship with the Brazilian educational context. Next, we discuss the integrated arts and how the song could be used as a space of confluence between different artistic languages. To conclude, we report the process of construction of didactic proposals where we approach the song in an interarts perspective and also describe the experience of field research in a regular school in the Municipality of Vitória, Espírito Santo. As results achieved in this research, we point out that the song can be configured as a space for interartistic dialogue when its elements of composition and sound aesthetics are evidenced, being able to create new artistic products of this experience.
A canção e o protesto: do cálice à alegria
(Universidade Federal do Espírito Santo, 2023-09-26) Ribeiro, Karina dos Santos; Paz, Gaspar Leal; http://lattes.cnpq.br/5152530982132224; http://lattes.cnpq.br/1993914321297514; Salgueiro, Wilberth Claython Ferreira; https://orcid.org/0000000338174738; http://lattes.cnpq.br/4872315380917914; Freitas, Alexandre Siqueira de; http://lattes.cnpq.br/4616788871589192; Martinelli Filho, Nelson; http://lattes.cnpq.br/9186790476855298; Guimarães, Aissa Afonso; http://lattes.cnpq.br/5450445723454857
This work analyzes the role of songs as a form of resistance, struggle, and protest, during the period of the Military Dictatorship in Brazil. During this period, which lasted from 1964 to 1985, political repression and cultural censorship were widely used by the military government as means of controlling and suppressing individual and collective freedoms. Songs, in this context, emerged as a powerful form of expression and resistance, allowing artists and composers to convey critical and challenging messages against the dictatorship. These songs functioned as a tool for raising awareness and popular mobilization, helping to keep the flame of resistance, the fight for civil rights and democracy, alive. Throughout the dissertation, some representative songs from this period were selected and analyzed. “Cálice” by Chico Buarque de Hollanda and Gilberto Gil, “Not to say that I didn’t talk about flowers” by Geraldo Vandré, “Despite you” by Chico Buarque and “Alegria, Alegria” by Caetano Veloso, denounced human rights violations committed by the military regime. The dissertation explores the textual, historical, social, and political context in which the songs were created, examines how the restrictions imposed by the dictatorship shaped musical production and how artists found ways to circumvent censorship to convey their messages. In this sense, the importance of songs as a vehicle of resistance and as a way of preserving the collective memory of a dark period in history stands out, as observed, for example, in the theoretical corpus of Caetano Veloso (2020), Wilberth Salgueiro (2015), Marcos Napolitano (2002) and Marilena Chauí (2017). The research results reveal the relevance and lasting impact of songs against the military dictatorship, and how they influenced culture and art in general, helping to shape the cultural landscape that lasts to this day. These songs played a fundamental role in the formation of political consciousness at the time, and still contribute to popular mobilization, to the day-to-day achievement of democracy. Furthermore, they remain important artistic and historical testimonies, conveying the experiences and emotions of those who fought against oppression. They offer a historical and inspiring foundation for contemporary resistance, reminding us that the courage and determination of those who opposed dictatorships in the past can be a source of strength to challenge injustices today.
A capoeira e suas narrativas visuais no Rio de Janeiro entre os anos de 1821 A 1955
(Universidade Federal do Espírito Santo, 2019-05-31) Amorim, Thiago Rodrigues; Guimarães, Aissa Afonso; Mello, André da Silva; Paz, Gaspar
The story between Rio de Janeiro, the blacks and the capoeira, so closely tied when we consider these elements part an arrangement which tells the facts and surrounding events at these three agents. The present study tried to speak about the historicity o
A casa de Porto Seguro : estudo da morfologia da casa portuguesa no Brasil
(Universidade Federal do Espírito Santo, 2014-12-18) Ramalho, Lucemar Franco; Ribeiro, Nelson Pôrto; Weimer, Günter; Costa, Ricardo Luiz Silveira da
The study of the morphology of Dr. Antonio Ricaldi Street homes in Upper city of Porto Seguro in the state of Bahia aims to clarify the limits of the influence of Portuguese architecture in constructing houses of the historic site that listed by IPHAN sin
A casualidade nas fotografias de Moyra Davey e a lógica do índice
(Universidade Federal do Espírito Santo, 2017-05-02) Bernabé, Marianna Pedrini; Bezerra, Ângela Maria Grando; Goveia, Fabio Gomes; Ribeiro, Gisele Barbosa
abstract
A cor da sombra na obra escrita de Ricardo Carioba
(Universidade Federal do Espírito Santo, 2019-04-03) Batista, Maíne; Freitas, Alexandre Siqueira de; Kuster, Eliana Mara Pellerano; Garbelotti, Raquel de Oliveira Pedro
This dissertation has as main theme the study of the shadow color in the work Escrita, from Ricardo Carioba. The research retakes the shadow thematic since its beginnings, passing through the myths, theories and concepts that led this phenomenon to contri
A criação e atuação da Galeria de Arte e Pesquisa da Universidade Federal do Espírito Santo e sua proposta de atualização das linguagens das artes plásticas (1976-1980)
(Universidade Federal do Espírito Santo, 2015-04-17) Rosa, Magna Silva; Lopes, Almerinda da Silva; Andrade, Marco Antonio Pasqualini de; Miranda, Clara Luiza
Cette recherche vise à analyser la contribution de la création de la Galerie d'art et de recherche de l'Université Fédérale de l‟Espírito Santo (GAP), créée en 1976 et dont le but était l‟élargissement et la "mise à jour" du répertoire de l‟art de l‟Espir
A Criatividade como processo pragmático na formação didática de professores de Arte
(Universidade Federal do Espírito Santo, 2022-10-03) Lustosa, Ana Rita Cesar; Sanmartin, Stela Maris; https://orcid.org/0000-0001-7276-0584; http://lattes.cnpq.br/3169230790004855; https://orcid.org/; http://lattes.cnpq.br/; Cirilo, Aparecido Jose; https://orcid.org/0000000168643553; http://lattes.cnpq.br/6252535690546666; Iavelberg, Rosa; https://orcid.org/0000-0003-1273-5955; http://lattes.cnpq.br/3612410780790990
This master's thesis approaches Creativity as a process in the formation of Art teachers, an important contemporary theme in the pedagogical debate. Its social relevance is present by providing possibilities for the training of teachers and students who need to be prepared to face the challenges posed by today's society. It is a research based on classical authors on the themes in question, characterized as exploratory, descriptive, explanatory. The methodology used was action research, supported by bibliographic research, participant observation, sensitive listening and field research. Two questionnaires, a diagnostic and an evaluative one, were applied to the group of Art teachers from the Municipality of Serra (ES), after the development of a teacher training program focused on creativity addressing the four languages of Art: Visual Arts, Theater, Dance, Music and also Literature. As required in the scientific methods, the data were analyzed using discourse analysis and content analysis and the conclusions reached are that theories and creative methods are still barely known and that there is interest and space for the development of the theme amongst the teachers from the Municipal Secretary of Serra, Espírito Santo.
A dialética da arquitetura modernista inserida em sítios históricos
(Universidade Federal do Espírito Santo, 2009-05-04) Lisboa, Roberta Ilha; Andrade, Tarcísio Bahia de; Miranda, Clara Luiza; Correa, Elyane Lins
abstract
A erotização do feminino : diálogos entre a série Vênus e Pássaro, de Milton Dacosta, e O Amor Natural, de Carlos Drummond de Andrade
(Universidade Federal do Espírito Santo, 2020-06-30) Ribeiro, Roney Jesus; Paz, Gaspar Leal; https://orcid.org/0009-0002-1139-1791; http://lattes.cnpq.br/5152530982132224; Freitas, Alexandre Siqueira de; https://orcid.org/0000-0002-4989-352X; http://lattes.cnpq.br/4616788871589192; https://orcid.org/0000-0002-2509-124X; http://lattes.cnpq.br/1966814659940488; Cardoso, Renata Gomes; https://orcid.org/0000-0003-2228-3526; http://lattes.cnpq.br/8431050646083624; Carvalho, Raimundo Nonato Barbosa de; https://orcid.org/0000-0003-4291-8525; http://lattes.cnpq.br/8131553979688267
This dissertation investigates the female eroticization in the dialogs between the illustrations from the series Venus and the Bird, by Milton Dacosta and the poems from the work The Natural Love, by Carlos Drummond de Andrade. For this, we guided on bibliographic research that explored different senses of the erotic in art and the trajectory of these two artists who marked the marked the Brazilian modernism. The research was developed in three chapters: “Aspects of eroticism in plasctic arts and modern literature”, “Imperfect angels and their erotic feelings” and “Eroticism in the female universe of Dacosta and Drummond”. In an interartistic approach, which brings together different artistic modalities (visual arts and Brazilian literature), it is expected, with this investigation, to contribute with new perspectives and readings about the works of these two artists, so significant for the national culture
A escuta do espaço sonoro na obra de Cildo Meireles
(Universidade Federal do Espírito Santo, 2016-11-25) Pinheiro, Elton Ribeiro; Bezerra, Ângela Maria Grando; Neves, Alexandre Emerick; Stolf, Maria Raquel da Silva
This research studies the listening to the sound space found in the work of Brazilian artist Cildo Meireles. In order to do that, it investigates the use of sound in the artist's work and its emission in six specific works, namely: Mebs/Caraxia (1970-71),
A existência é corporal: o encontro da poética pessoal com as peles de Hundertwasser
(Universidade Federal do Espírito Santo, 2023-07-21) Coser, Joao Victor; Silva, Claudia Maria Franca da; http://lattes.cnpq.br/3462886315780014; https://orcid.org/0009-0001-4251-8620; http://lattes.cnpq.br/2717674846562304; Zago, Renata Cristina de Oliveira Maia; Gonzaga, Ricardo Mauricio; http://lattes.cnpq.br/1991586309948453
This research presents an excerpt of my poetic production, selected from the portfolio examination, presenting artistic works made between 2016 and 2020 [Casa Fragmentada (2016), Este Produto Contém (2016), Editorial de Autodestruição (2016), Processos Investigativos - Parte 1 (2018) e Desalinhamento Estrutural (2020)]. The analysis of the process uses the presentation of concepts and symbologies built by Hundertwasser on the skin, deriving in five skins concepts: the epidermis, clothing, home, social and global environment, as well as studying the support initial research, the body and the skin, understanding them as phenomenological factors. Connections of the chosen clipping are made with works by other artists, which deal with corporeality and the senses; as well as analyzing the languages present in each work, understanding the enlargement of performance and immersive spaces that solicit the body of the spectator, suggesting a performativity of 'oneself'. The analysis sought in the phenomenology of the body, assimilated by Merleau-Ponty and David Le Breton’s sociological direction as the construction of the Being and its surroundings. Tactile movement is the manipulation of the object or its materiality, visible or invisible, is also present as prerogatives of the body.
A experiência estética em Rilke revisitada a partir das interpretações de Gerd Bornheim
(Universidade Federal do Espírito Santo, 2020-09-24) Aragão, Marina Pedreira ; Paz, Gaspar Leal; https://orcid.org/0009-0002-1139-1791; http://lattes.cnpq.br/5152530982132224; https://orcid.org/; http://lattes.cnpq.br/7089361341701794; Matos, Olgária Chain Féres ; https://orcid.org/0000-0002-7549-2551; http://lattes.cnpq.br/3457051894936314; Guimarães, Aissa Afonso; https://orcid.org/0000-0001-9626-4606; http://lattes.cnpq.br/5450445723454857
Based on two typescripts by the philosopher Gerd Bornheim, on Rainer Maria Rilke, we analyzed in this research the existing correlation between philosophy, poetry and aesthetics, tring to understand, more specifically, how plasticity and aesthetic experience in Rilke’s oeuvre are manifested. At first we commented on relevant aspects of Gerd Bornheim's interpretations of aesthetic criticism. Our goal was to understand the nuances participating in the convergence process towards what Bornheim called artistic languages. This perspective added to the original studies on the poet makes it possible to understand both the notion of "open" (a milestone in Rilkian poetics), as the unfolding of the aesthetic experience in Rilke, that makes us understand the poet´s place in the aesthetics of his time and how he moves in the face of cultural and philosophical expressions and dialogues. It has been found that Rilke’s livingness constituted itself by “openings” with regard to the arts, notions that appear in his poetry, in the letters and his comments on the visual arts. For such proposal, it was necessary to revisit important works by the Czech poet, where he establishes an approximation between different arts such as poetry, painting and sculpture. In this sense, we highlight the work Elegías de Duíno, which presents itself as a foundation for the analysis by Gerd Bornheim. Our research is based on writings and interpretations such as Dora Ferreira da Silva and José Paulo Paes, which support us in the analysis of Rilke´s poetic trajectory. The research finally showed that both Gerd Bornheim´s and Rainer Maria Rilke´s, writing become the gateway to reflection around other artistic spaces, dialoguing in a variety of different ways
A formação da imagem na linguagem cinematográfica de Júlio Bressane
(Universidade Federal do Espírito Santo, 2020-05-27) Carneiro, Lays Gaudio; Paz, Gaspar Leal ; https://orcid.org/0009-0002-1139-1791; http://lattes.cnpq.br/5152530982132224; https://orcid.org/; http://lattes.cnpq.br/1439879811998333; Dias, Rosa Maria; https://orcid.org/; http://lattes.cnpq.br/1602571505425562; Hora, Daniel de Souza Neves; https://orcid.org/0000-0001-6582-3276; http://lattes.cnpq.br/1587944007709027
Faced with the cinema-thought of Júlio Bressane, we intend to venture into understanding his cinematographic research. Opting for a more general perception of its complex and suggestive aesthetic, full of deconstructions and discoveries, we will follow some hints evoked by Gerd Bornheim in his essay on Miramar, in which the philosopher describes Bressane's film, underlining nodal dimensions of the imagetic construction of the work. Thus, the choice of the theme is based on the relevance of Júlio Bressane's cinematographic aesthetics for the studies on the image in contemporary arts. In this sense, Bressane strives to build proposals that modify the viewer's look, confronting him, taking him out of his usual comfort and encouraging participation in the image's configuration or formation. Another aspect considered in this research on Bressanian aesthetics was the influence of Haroldo de Campos in one of the important dimensions of Bressane's language: the translation (or transcreation). From this theme, one can understand that the recurring use of “citations” in the work of the filmmaker from Rio de Janeiro is a kind of work of transposition and intercurrent dialogue amongst the artistic languages. In this way, Júlio Bressane understands the concept of transcreation as a recreation, emphasizing the need for a critical look that permeates situations and experiences in order to recreate them in the cinema screen. It is, therefore, a double and complementary challenge that involves the creative act and the critical intention. Intention and action that invite the reader to imagine, in a kind of "concentration of times", the mnemic traces and citations present in the images. Pictorial, literary, sound-musical, sound-visual citations compose Bressanian images. We are interested, therefore, in understanding this aesthetics, following the traces of montages and the use of elements that make his work so unique

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