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- ItemA construção da identidade nacional pela representação do indígena no mestiço antropofágico de macunaíma(Universidade Federal do Espírito Santo, 2018-05-02) Raft, Gustavo Luz; Oliveira, Jurema José de; Soares, Luiz Eustáquio; Oliveira Neto, Godofredo de; Amaral, Sérgio da Fonseca; Cunha, Betina Ribeiro Rodrigues daThis paper aims to do a critical reading of the national’s identity construction represented on the book Macunaíma: the hero without a character focused on the indigenous element as a matrix of the cultural miscegenation process. In an attempt to rediscover Brazil and it’s origins, the book of the modernist writer Mário de Andrade mimics and satirizes elements that he deems central in Brazil. He makes a indigenous representation as a brazilian mestizo component and promote the foreign culture deglutition as national identity resistance. For this analysis, the concepet of identity is updated through historical and dialectical materialism, which allows us to surmise from the book - that even in rupture with eurocentrism and plaster aesthetic, mainly present in the used language - that remains a bourgeois traits and metaphysical that deals with the indigenous as the other, revealing a representation and image of the primitiv, paradigma, predominant on literary production of Brazil.
- ItemA trajetória do feminino em Graciliano Ramos : silêncio e resistência(Universidade Federal do Espírito Santo, 2009-03-30) Elisbon, Êudma Poliana Medeiros; Amaral, Sérgio da Fonseca; Oliveira, Ester Abreu Vieira de
- ItemAutor, narrador, personagem : as várias facetas dos Aires de Machado(Universidade Federal do Espírito Santo, 2013-02-04) Marinato, Ana Carla Lima; Trefzger, Fabíola Simão Padilha; Cardoso, Marília Rothier; Amaral, Sérgio da FonsecaThe last two novels by Machado de Assis – Esau and Jacob (1904) and Conselour Aires’s Memoirs (1908) – show a special labor dedicated to the fictional strategies of the authorship’s constitution. The authorial plays start being elaborated in the advertences of each text, and spread throughout the novels, coming to light through the relationship between the various narrative instances, which contribute to the composition of an authorial figure. This figure, constituted in a peculiar way in each work, also has intriguing outlines, if it is seen through an analysis that focuses on the relationship between the two novels. It is intended, here, to understand how the idea of authorship in these works establishes a dialog with the conceptions of subject that settle at that time; in parallel with such dialog, it is observed in these novels a retake of the philosophical and literary tradition from the 17th century, evoking a reflection about its presence in the end of the 19th century. Such analysis leads us to identify certain similarity with the conceptions of author and subject that bases what is currently known as “autofiction”, allowing us to conclude that the actual thought acquires great benefits when it plunges towards these works composed by the beginning of the 20th century.
- ItemConsidere-se preso: erotismo e violência em O cobrador, de Rubem Fonseca(Universidade Federal do Espírito Santo, 2010-07-30) Farias, Herbert Denard Alvarenga; Amaral, Sérgio da Fonseca; Pinheiro, Maria Elizabeth de Sá Cunha; Pimentel, AryThe characters in O Cobrador, by Rubem Fonseca, either by vengeance, or as a response to a threat or to the dissatisfaction with the social place imposed on them, live situations of challenge towards the contrary power. Considering the corpus of the present work, which studies the violence and eroticism in the short stories in O Cobrador, as well as its links to power and resistance, according to philosopher Michel Foucault, such opposition will be found in the violent attitude of the main character in the title short story; in Mandrake s decision to pursue the elucidation of the crime, against the will of his powerful client; in the riot broken out by the convicted interns of the Onze de Maio Home; and in the socially condemned and forbidden passion of the Pierrô da Caverna. The establishment of parallels between the heroes in O Cobrador and other heroes found in comparable narratives by the same author and others, highlight this confrontation. Although they confront and win powerful forces, these fictional men and women are damned to frustration, given the fungibility of their triumphs.
- ItemDa falta ao dom : uma leitura de Clarice Lispector(Universidade Federal do Espírito Santo, 2013-06-12) Paiva, Marcela Ribeiro Pacheco; Soubbotnik, Olga Maria Machado Carlos de Souza; Amaral, Sérgio da Fonseca; Crespo, Noêmia Santos; Soares, Luís Eustáquio; Morais, Alexandre Jairo MarinhoCe mémoire explore la littérature de Clarice Lispector en ce qui concerne l impossibilité d une rencontre amoureuse, dans le sens de l achèvement, de la cessation de l angoisse. Il considère ainsi le manque inhérent aux être humains et la possibilité, à travers le constat et l acceptation de ce manque, de transformer la perte en puissance, de faire vibrer le moteur de la vie, le désir. En fonction de cet objectif, on analysera quelques contes de Clarice Lispector, parus dans Bonheur Clandestin: Les désastres de Sofia et La légion étrangère. Cette lecture, traversée par la théorie psychanalytique, en particulier par les concepts de Lacan, cherche à mettre en relief le savoir implicite de Clarice Lispector
- Item"Depois, é o céu abscôndito do nada" : o niilismo e a poética de Augusto dos Anjos(Universidade Federal do Espírito Santo, 2016-02-22) Ribeiro, Sileyr dos Santos; Soares, Luís Eustáquio; Feitosa, Fabiana Curto; Amaral, Sérgio da FonsecaThis master's dissertation studies both the inherent relations of the nihilist phenomenon fathoming its core mainly under the perspective of Nietzsche’s philosophy and dos Anjos’s poetry with a focus on the utmost renounce of knowledge symptomised by the wearied spirit that engages in the schopenhauerian ascesis to shun of the pain of the ever returning desire. Those attitudes, namely, the renounce and the ascesis are both passive outcomes of the loss fundamental grounding and meaning of the objective world.
- ItemDistantes dos deuses erramos pela Rayuela : verdade, mímesis e literatura(Universidade Federal do Espírito Santo, 2013-03-21) Neves, Leonardo Mendes; Amaral, Sérgio da Fonseca; Coutinho, Eduardo de Faria; Nascimento, Jorge Luiz doThe novel Rayuela, from Julio Cortázar, has enabled the rise of a chain of concepts and events surrounding the poetic, literary and mimetic expressions by claiming for itself the status of truth. The character and writer Morelli, on which we will focus on more carefully, develops an understanding of literature which reveals the role played by the everyday human language as it grants it also a role of destroyer of commonplaces that distorts life and reality, making us more sad and discredited. Therefore, the literature must extrapolate its own borders, established primarily by other speeches that, not coincidentally, its fundamentals remains veiled. From the thinking of Luiz Costa Lima, Marcel Detienne and Martin Heidegger, this paperwork will evidence how the history, philosophy, religion and science speeches attempt to silence the voices originated in art, making sterile its attemps to comprehend mankind.
- ItemDistopia e subversão em O Ateneu de Raul Pompéia(Universidade Federal do Espírito Santo, 2005-12-09) Jareski, Lorenza Lakimé; Souza, Marcelo Paiva de; Amaral, Sérgio da Fonseca; Siewierski, HenrykThe purpose of this dissertation is to study the O Ateneu by Raul Pompéia, written in 1888, during the promulgation of the Slavery Abolition (Lei Áurea) and just before the Proclamation of the Republic. The novel assumes a prominent position in the Brazilian Literature what reflects on the singularity of the criticism devoted to it. After the realization of Ateneu (a boarding school) as an oppressive world and the broken and complex reality of its characters, the author of this dissertation proposes another reading of the novel, under a dystopian literature view. The evaluation broadens under the deeds of some citizens of Ateneu which suggests a dissident status. The harsh fulfillment the laws and order in force at the boarding school demands a dissident behavior, for the survival of some characters, revealed in different ways of subversion, always limited by narrow boundaries in space and time. Sex, love, faith, art and family relations emerge in opposition to the school s reality. At last, this dissertation investigates the way Pompéia s narrative builds characters whose behavior flee from the acceptable Brazilian standards of the 1800 s patriarchal society, indicating rupture of established social order.
- ItemDom Casmurro e São Bernardo : encontros e desencontros(Universidade Federal do Espírito Santo, 2015-08-31) Oliveira, Elizangela de; Amaral, Sérgio da Fonseca; Dutra, Paulo Roberto de Souza; Lima, André Luiz DiasNot very rare to find ourselves with the impression of having already read a text, already have seen an image in the eyes of many seems unprecedented. Using the words of Roland Barthes, when in happens, reading a book, suspending the reading with frequency is because we noticed an influx of ideas, excitations and associations. Within the literary production of Machado de Assis and Graciliano Ramos, two works are distinguished by similarity between them: Dom Casmurro (1899) and São Bernardo (1934). Though in different contexts and environments, these works are corpus of a comparative study which aims to analyze the "Meetings and oubt' of these narratives. The characteristics of the narrator autodiegético, the construction of memory used for the confection of the book inside the book, the figure of the woman in the stories of the narrators-characters, jealousy thananything and the tragic outcome of their narratives are the similarities and differences that if you want to highlight this thesis.
- ItemFiccionalização e autoficcionalização "em alguma parte alguma": do processo maquínico de construção e desconstrução de si na poesia de Ferreira Gullar(Universidade Federal do Espírito Santo, 2014-01-24) Tavares, Felipe de Almeida; Amaral, Sérgio da Fonseca; Almeida, Julia Maria Costa de; Santos, Roberto Corrêa dosThe purpose of this study is to develop the concept of autofictionalization of the subject in Ferreira Gullar’s poetry. Since this concept was not found in any text studied in the literature review, we hold our beliefs in Gilles Delleuze’s and Felix Guattari’s principles about the corporeal and incorporeal, and their pure transformation. Starting from the idea that the phrase autofictionalization is deverbative, i.e. a noun that comes from a verb - fictionalize – it is possible to understand that, as a verbal phenomenon from the act of writing, the subject created through autofictionalization will merely have a surface effect, i.e. an effect made possible by language, more specifically, by the verbal action present in the act of writing. Thus, an author would only need writing in first person, so that, consciously or not, this effect would be produced. Our understanding of autofictionalization – the surface effects – differs from the idea of autofiction, since, unlike the latter, it does not imply a cause and effect relationship and takes place regardless the author’s will.
- ItemHumanidade em pauta : uma leitura dos contos de Miguel Torga(Universidade Federal do Espírito Santo, 2007-05-14) Mendes, Camila Scalfoni; Amaral, Sérgio da Fonseca; Sodré, Paulo Roberto; Alves, Ida Ferreira; Nascimento, Jorge Luiz do
- ItemJogo de espelhos: realidade fantástica e revolução em Cortázar(Universidade Federal do Espírito Santo, 2012-03-26) Rocha, Alana Rúbia Stein; Amaral, Sérgio da Fonseca; Mendes, Leonardo Pinto; Nacimento, Jorge Luiz doThis study aims to approach three Cortázars narratives ( Recortes de Prensa , Apocalipsis de Solentiname e Continuidad de los parques ) from the perspective of other literary and extra literary productions (letters, critics and theory texts) by Julio Cortázar. This is an experimentation of a ludic study, according to the proposal of the Argentine authors literature, embedded in the idea of the game as a different way of seeing reality and, through this way, make effective changes in the modern world, being they political, or personal. By using this method, we plan to verify the critical and self-critical content of Cortázars literature, to emphasize its political and pragmatic aspects when it comes to the revolution of human perspective and behavior through written art. To do so, we confronted texts chosen as corpus with other writings, also written by Cortázar, trying to make the latter to act as an enlightening component to his literature. In other words, this study evaluates the texts by the author in his ambiguous quality, which embraces both literature and critical (and, in many cases, theoretical)literature. The tales approached by this study are analyzed under three different perspectives, which are: the question of political responsibility of the Latin American writer, the self-writing and the fiction in their relations with the factual and its writing and literature itself in its relations with the factual and imaginary, and, finally, the position of the reader and author before the literary text. Both discussions raised during the analysis have a common thematic point, which converges to problematization of the common construction of an immediate reality rooted in philosophical and scientific manner of the modern Western world. Finally, the study experiments a different look at the literary text, regarding its construction, its interpretation and its effects on reality.
- ItemMalandros e malandragem: Noel Rosa(Universidade Federal do Espírito Santo, 2011-11-30) Collura, Salvatore; Amaral, Sérgio da Fonseca; Francalanci, Carla Costa Pinto; Miranda, Ana Augusta Wanderley Rodrigues deAnalizza la figura del malandrino dal punto di vista del personaggio e del suo llinguaggio nella produzione del compositore Noel Rosa, mettendo in evidenza le caratteristiche e le peculiarità del discorso noelino, così come le innovazioni da lui introdotte nell ambito della canzone popolare brasiliana, risultanti dalla coniugazione di vari fattori: musicale, tematico, linguistico e poetico. Contestualizza la figura del malandrino, esposta a cambiamenti significanti tra la fine del secolo XIX e i primi tre decenni del XX secolo, concentrando l analisi sul periodo di Noel Rosa e Getúlio Vargas. Sotto la luce della tematica del malandrino e del malandrinaggio, conduce un panorama storico, sociale, politico e culturale del periodo in analisi, osservando la diverse relazioni di Noel Rosa com il malandrino e il malandrinaggio. Discute i cambiamenti di prospettiva che Noel, cronista di Vila Isabel, propose riguardo la visione del malandrino: egli percepì che in una società in fase di grandi trasformazioni qual era Rio de Janeiro in quell epoca, l associazione dell immagine del malandrino dal coltello in tasca con il mondo del samba, poteva costituire un pericolo per il progresso della carriera artistica dei nuovi compositori.
- ItemNas malhas da formação: três olhares sobre a noção de "sistema literário", de Antonio Candido(Universidade Federal do Espírito Santo, 2012-06-25) Nascimento, Moisés Ferreira do; Amaral, Sérgio da Fonseca; Ribeiro, Adelia Maria Miglievich; Ribas, Maria Cristina CardosoThe following project aims at analyzing the criticism made by Afrânio Coutinho, Haroldo de Campos and Luiz Costa e Lima on Antonio Candido s Formação da literatura brasileira momentos decisivos. As already known, the book mentioned above, as well as the notion of literary system there outlined by the critic and historian, is a milestone for literary-historical studies, shaping it into one of the most important theory of Brazilian Literature, if not the only one. More than fifty years since its publication, and comprehending its basic role in what is conventionally understood as Brazilian Literature, it is, thus, proposed through three of the most important literary critics point of view to study the process of critic reception of Candido s master piece during the second half of the 20th century, in an attempt of seizing its spot in contemporary Literary Historiography.
- ItemNovo Aeon: Raul Seixas no torvelinho de seu tempo(Universidade Federal do Espírito Santo, 2009-08-20) Santos, Vitor Cei; Amaral, Sérgio da Fonseca; Lins, Ronaldo Pereira Lima; Salgueiro, Wilberth Claython FerreiraThe subject that invites and gathers us to think is Raul Seixas´ conception of the New Aeon, thinking about its historical constitution, its values and consequences to the postmodern society. Elaborated by the English writer Aleister Crowley in the beginning of the twentieth century, this doctrine stimulated existential trajectories of great refutable power, making him the counterculture guru. Raul Seixas, who followed the counterculture movement, made from his poetical creation the social spirit from his time. In this meaning, the main objective of this research is understanding what the New Aeon is, showing its relation with Fredric Jameson’s concept of postmodernism. As specific objectives, we propose understanding the conceptions of Old Aeon and modernity, in its relations with the mentioned concepts. In this dialog with Seixas, we look for the resonances in his work of the questions that aim his time: occultism, counterculture, cultural industry, authoritarism, censorship, nihilism and melancholy.
- ItemO humor em O cheiro do ralo, de Lourenço Mutarelli(Universidade Federal do Espírito Santo, 2019-07-08) Negreli, Pâmella Possatti; Sodré, Paulo Roberto; Amaral, Sérgio da Fonseca; Ferreira Filho, Benjamin Rodrigues; Lins, Maria da Penha; Delmaschio, Andréia PenhaIt analyzes the humor in Lourenço Mutarelli's "O Cheiro do Ralo" (2011), a Brazilian novel in which the plot, as the title predicts, revolves around the unbearable smell (of "shit") that comes from the drain, which makes the protagonist paranoid, because he cannot stop the bad smell and believes that the drain is the gate to hell. It studies the narrative literary humor from the linguistic point of view, considering the studies of Vladímir Propp and Luiz Carlos Travaglia; historiographical, from the observations of Georges Minois and Quentin Skinner, and philosophical, based on the reflections of Yves de La Taille. It analyzes Mutarelli's novel from two aspects: existential humor and sad humor. It perceives that the humorous resources most used in the novel, irony, exaggeration and the expectancy violation guide the narrative to the close connection of Mutarellian humor with the grotesque and the coprological, whose effect is the feeling of sadness.
- ItemO(s) ciúme(s) em São Bernardo, de Graciliano Ramos, e Grande Sertão: Veredas, de Guimarães Rosa(Universidade Federal do Espírito Santo, 2018-02-23) Borges, Gabriela Brahim Correa; Salgueiro, Wilberth Claython Ferreira; Amaral, Sérgio da Fonseca; Dalvi, Camila DavidThis paper proposes to discuss jealousy, a feeling that is present, among many others, in two of the most important books of Brazilian literature: São Bernardo and The Devil to Pay in the Backlands. Other aspects that approximate the two novels – such as violence, the women’s death, the first-person and male-voice narrative – had already been analyzed by many scholars of Ramos and Rosa, however, this feeling, so important in the construction of both narratives has not yet received the main attention in a comparative analysis. Thus, our intent is to establish this thematic affinity not only by listing points of similarity, but also by commenting on the distancing conceptions of jealously in the two books – and how these conceptions contribute to a better general comprehension of Ramos’ and Rosa’s books. To do that, we will analyze the relations of the protagonists, Paulo Honorio and Riobaldo, with the women that marked their lives – mainly, but not only, Madalena and Maria Deodorina, (respectively). In this effort, we will discuss the different "modalities" of jealousy mentioned in the narratives above, in order to understand how this theme also touches on other relevant aspects in both cases. cases. For this, notions of psychology, such as Freud's jealousy concepts; or history, like the notions of Patriarchalism of Mary Del Priore, are unavoidable. In addition, other scholars of the novels in question, such as Jaime Ginzburg, Antonio Candido, Roberto Schwarz and Luiz Costa Lima, will also help us in this trajectory. Our objective is, with such analysis, to bring our contribution to the reading of the novels of Graciliano Ramos and Guimarães Rosa, proposing a new approach to jealousy in the construction of both.
- ItemOutras margens de sentido: a recepção do leitor em duas passagens rosianas(Universidade Federal do Espírito Santo, 2009-12-14) Silva, Janaina Alencar da; Almeida, Júlia Maria Costa de; Trefzger, Fabíola Simão Padilha; Amaral, Sérgio da FonsecaThe present research investigates the stories Sorôco, his mother, his daughter and The third bank of the river , by Guimarães Rosa, having as mainly focus the reader s role in take these literary texts in. In order to do this, it was constituted a theoretical methodology based on the studies of Wolfgang Iser and his theory about the implicit reader, on Hans Robert Jauss and his hermeneutic and the game of questions and answers, and Umberto Eco and his definitions about the textual non-saids. The analysis of these two stories from the book First Stories permitted to check how Guimarães Rosa s reader acts facing complex and enigmatic texts which deal with features like craziness and lack of communication, texts which get closer on these banks , on which the work of filling the textual void becomes a really complicated task for the implicit reader. It was realized through investigations that Rosa s reader ranges between be frustrated with the results of reading and be happy with the path followed by the characters in their ending. The idea defended by Jauss which says that in literary texts the reader participates on a questions/answers game be clever when analyzing these stories, since there are many questions done by this implicit reader for which the answers sometimes do not appear clearly. It is this inquisitive reader of Guimarães Rosa who is contemplated in this work.
- ItemPatativa do Assaré e a identidade sertaneja: oralidade, memória e religiosidade(Universidade Federal do Espírito Santo, 2009-11-09) Leonardeli, Poliana Bernabé; Amaral, Sérgio da Fonseca; Nascimento, Jorge Luiz do; Mendonça, Carlos Vinícius Costa dePatativa do Assaré stands out as a poet by presenting a significant feature in the literature: steal a memory co school building and, through it, an identity Sertaneja. Through his memory the poet translates parts of northeastern culture, preventing them from falling into oblivion. Moreover, his poetry stands out as a cry for justice that the call not to fight and the social and political involvement. It, therefore, the power to redeem the past, prepare your ears for new ways of the future. On that view, he does a route from within the context of the author whose popular poetic style predominate in your work, and soon after, we analyzed the presence of erudite culture and mass culture in its context of literary production.
- ItemSamuel Beckett e os limites do in-dizível(Universidade Federal do Espírito Santo, 2016-02-25) Maciel, Ulisses Augusto Guimarães; Amaral, Sérgio da Fonseca; Caser, Maria Mirtis; Soares, Luís Eustáquio; Dutra, Paulo RobertoThe novels Molloy, Malone Dies and The unnamable, trace the path of Samuel Beckett in the composition of a narrative known for challenging the limits of representation, highlighting the precariousness of thought which fails in its attempt to grasp reality. In this context, considering the representativeness a game that comes from inarticulable chaos, we used the concepts of reality, language, and translation addressed by the Czech-Brazilian philosopher, Vilém Flusser and the existentialist philosophy of Martin Heidegger and Albert Camus, in an attempt to show the imprecise nature of Beckett works, before the word impossibility, constant trial and failure in the face of the un-speakable.