Doutorado em Letras
URI Permanente para esta coleção
Nível: Doutorado
Ano de início: 2010
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1503
Navegar
Navegando Doutorado em Letras por Autor "Amaral, Sergio da Fonseca"
Agora exibindo 1 - 13 de 13
Resultados por página
Opções de Ordenação
- ItemA decadência ideológica, cinismo e niilismo: Machado e Brecht(Universidade Federal do Espírito Santo, 2023-02-27) Nascimento, Luciana Rodrigues do; Soares, Luis Eustaquio; https://orcid.org/0000-0002-1430-4705; http://lattes.cnpq.br/2213072997694353; https://orcid.org/0000-0003-2734-1107; http://lattes.cnpq.br/6524467478871773; Borges, Bruno Gonçalves; https://orcid.org/0000-0002-3200-4909; http://lattes.cnpq.br/0019694073171774; Caser, Maria Mirtis; https://orcid.org/0000-0001-9247-8199; http://lattes.cnpq.br/1341358191671907; Schiffler, Michele Freire; https://orcid.org/000000019198468X; http://lattes.cnpq.br/9912476303376712; Amaral, Sergio da Fonseca; http://lattes.cnpq.br/9383077540938356; Meireles, Joao Ricardo da SilvaIdeological decadence, cynicism, and nihilism are devices present in some of Machado de Assis' satirical and Bertolt Brecht's epic works. The general objective of this thesis is to highlight that art is inseparable from the contradictions of society divided into distinct social classes: dominant and dominated. Thus, in the works of the aforementioned authors it is possible to find such devices that enable a more critical understanding of society.
- ItemA ditadura não vai ao teatro: uma feira brasileira de opinião(Universidade Federal do Espírito Santo, 2023-08-30) Paula, Marcela Oliveira de; Carvalho, Raimundo Nonato Barbosa de; http://lattes.cnpq.br/8131553979688267; https://orcid.org/0000-0002-6928-6321; http://lattes.cnpq.br/0074139692500088; Rocha, Karina Bersan; Trefzger, Fabiola Simao Padilha; http://lattes.cnpq.br/7299183790903513; Souza, Marcelo Paiva de; Amaral, Sergio da Fonseca; http://lattes.cnpq.br/9383077540938356Considering the significant resistance established by the Brazilian theater during the military dictatorship (from 1964 to 1985), an analysis is proposed for five plays gathered in 1978 under the title of Brazilian Opinion Fair, which had their staging prohibited. These plays include Prefácio em forma de peça by Décio de Almeida Prado, O Túnel by Dias Gomes, Janelas Abertas by Gianfrancesco Guarnieri, O Mito by Lauro Cesar Muniz, and Sobrevividos by Leilah Assunção. The book comprises a collection of ten plays with texts authored by representative playwriters of that period – Carlos Henrique Escobar, Carlos Queiroz Teles, Dias Gomes, Gianfrancesco Guarnieri, João das Neves, Jorge Andrade, Lauro César Muniz, Márcio Souza, Leilah Assunção, and Maria Adelaide Amaral – an introduction by Ruth Escobar and a preface written as a play by Décio Almeida Prado. The Brazilian Opinion Fair offers an analysis of the political context of the time and the aesthetic debate within the Brazilian theater. With this perspective and supported by texts discussing the theatrical aspects of the years of the military dictatorship (ARRABAL, 2005; BOAL, 2020; MICHALSKI, 1979; ROSENFELD, 2014), from a historical standpoint (GASPARI, 2014; 2016; SCHWARZ, 1978; REIS, 2014; VENTURA, 2013), and emphasizing the issue of censorship (ALBIN, 2002; FAGUNDES, 1975; GARCIA; SOUZA, 2019; SANTIAGO, 2019), this thesis aims to discuss the tension between ethics and aesthetics in Brazilian playwriting during the Years of Lead, thereby contributing to the politics of memory surrounding that period. For the analysis of the five plays that comprise the publication, texts on theater text theory (PAVIS, 2015; SZONDI, 2011; ÜBERSFELD, 2013), humor (BERGSON, 1980; PROPP, 1992), and studies on the media and the middle class of the time (ALMEIDA; WEIS, 1998; HAMBUGUER, 1998) will also be brought into the discussion.
- ItemÀ escuta do vivente: animalidade e biopolítica em Clarice Lispector(Universidade Federal do Espírito Santo, 2023-12-01) Sant Anna Junior, Evandro Ramos de ; Amaral, Sergio da Fonseca; http://lattes.cnpq.br/9383077540938356; https://orcid.org/0000-0002-4530-8768; http://lattes.cnpq.br/2241033410686501; Salgueiro, Wilberth Claython Ferreira; https://orcid.org/0000000338174738; http://lattes.cnpq.br/4872315380917914; Trefzger, Fabiola Simao Padilha; http://lattes.cnpq.br/7299183790903513; Diniz, Julio Cesar Valladao; Sastre, Luciana IreneThis doctoral thesis appreciates that an attentive reading of the relations between human and animal, as expressed in the fictional work of Clarice Lispector, indicates that the space occupied by animal life in such narratives lies beyond the symbolic and representative realms, acting as a political sign that complicates the means by which we relate to the other. In this sense, by considering the theoretical contributions of Marília Librandi and Jean-Luc Nancy, it analyzes how the animal and the human are designated within Lispector’s fictional weaving, with special attention to the notion that, through her work, the Brazilian writer manages a call for a listening exercise that is capable of triggering, on those who are faced with her texts, a legitimate opening towards alterity in its radical form. From the theoretical groundwork of Rosi Braidotti, Maria Cristina Veloso and Juliana Fausto, it examines how the hierarchical distinction of humananimal was established in the western world over the centuries, and the way the Claricean writing questions such a distinction. In addition, with the support of Gabriel Giorgi, Claudete Daflon and Anibal Quijano, it considers to what extent the animality inscribed in the narrative tissue of Clarice Lispector sheds light on a biopolitical and colonial landscape that violates human lives perceived as less-than-human. By exposing that the human-animal distinction also creates the frameworks that are responsible for determining which lives are “killable” and which ones are worthy of being well lived, it highlights, in dialogue with Judith Butler and Jacques Derrida, the fact that the narrative production of Lispector outlines precarity as an element that touches all beings, regardless of species, thereby emphasizing that the exercise of grief and availability to the other, when engaged without hierarchical undertones, configures a gesture that is capable of fracturing the biopolitical dictums maintained on top of a social organization centered in the human figure.
- ItemA literatura matachinesca do carnaval de Riosucio: o trajeto do riso popular em meio século, 1970-2020(Universidade Federal do Espírito Santo, 2022-02-25) Restrepo, Carolina Fernanda Gartner; Amaral, Sergio da Fonseca; https://orcid.org/0009-0009-8382-733X; http://lattes.cnpq.br/9383077540938356; https://orcid.org/0000-0002-4958-3038; http://lattes.cnpq.br/; Alves, Luis Alberto Nogueira; https://orcid.org/0000-0002-7373-3921; http://lattes.cnpq.br/2993827671744324; Schiffler, Michele Freire; https://orcid.org/000000019198468X; http://lattes.cnpq.br/9912476303376712; Pinto, Wilson Coelho; https://orcid.org/; http://lattes.cnpq.br/9479615218855657; Vermes, Viviana Monica; http://lattes.cnpq.br/3806495173897941There is, in Colombia, a mestizo carnival with deep literary roots in its constitution. Different studies in the area of social sciences have been carried out on this carnival, but very little is researched about its literary expression. The carnival poets, called matachines, present orally the texts that are prepared before the performances that take place during some of the carnival events. Some of the main types of Matachinesco texts are the “Decretos”, the “Installation of the Carnival Republic” and the “Convite”. In general, they are comic texts, mainly satirical and parodic, where the matachines give an account of the most important occurrences in the city; usually criticizing some of the most recognized figures in the political and social sphere. In this research, we intend to understand the comic processes in the Matachinesca literature of the festival. We focus on an overview of theories that involve the construction and development of the comic in popular literature. We point to the signs of laughter from the perspective of Vladimir Propp's studies, in the documentary and bibliographic survey of the literature produced particularly by two matachines with the longest trajectory: Cruz Ociel Gartner Restrepo and Jaime Diego Cataño Trejos. We defend that the comic is a primary element in the dynamics of Matachinesca literature, and that popular laughter remains in the city as a subversive agent in the carnival world.
- ItemA narrativa sonora de Cadão Volpato: um diálogo entre música e literatura a partir de Walter Benjamin(Universidade Federal do Espírito Santo, 2023-11-28) Nogueira, Abraão Carvalho; Vermes, Viviana Monica; http://lattes.cnpq.br/3806495173897941; https://orcid.org/0000-0002-9831-1397; http://lattes.cnpq.br/5005628126062414; Santos, Vitor Cei; https://orcid.org/0000000167563236; http://lattes.cnpq.br/3944677310190316; Silva, Lucas dos Passos e; Chauvin, Jean Pierre; Amaral, Sergio da Fonseca; https://orcid.org/0009-0009-8382-733X; http://lattes.cnpq.br/9383077540938356The writer Cadão Volpato (1956-) produced two of his works articulating themes that transited between literature and music, and for this reason, they were chosen with the perspective of developing a study regarding the characteristics of his poetic. Volpato develops an elaboration in writing through a language based on sonorous and musical signs and transforms them into allegory in the course of his literary narrative. From this perspective, we pretend to elaborate an interpretation of sonorous narrative in the works The discs of twilight (2017), book of tales, and In the shade of viaducts in flower (2018), book of memoirs. These works have in common in their creative processes the development of a literary activity through of sonorous and musical signs as relevant characteristics in their poetic. The theoretical dialogue developed, found in the work Lessons of Poetic (2018), by Paul Valéry, significative orientations of study in relation to literary interpretation procedures. Through the considerations about the conception of poetic in Valéry, we dialogue with some aspects of Walter Benjamin’s philosophy of art, and with authors that have established dialogue with discussed questions for this author. From this theoretical perspective, we seed to subsidize the interpretative procedures of the literary works of Cadão Volpato chosen for this study.
- ItemDizer em outro lugar : a constituição da experiência em narrativas contemporâneas(Universidade Federal do Espírito Santo, 2015-09-22) Pizzol, Rafaela Scardino Lima; Moraes, Alexandre Jairo Marinho; Nascimento, Jorge Luiz do; Klinger, Diana Irene; Gonçalves, Ana Beatriz Rodrigues; Amaral, Sergio da Fonseca; Trefzger, Fabíola Simão PadilhaThis thesis seeks to analyze displacement as a political form of production and reading of contemporary literature, beginning with the works of Argentinian writer Ricardo Piglia. According to the author, displacement means "to go towards the other, to make the other tell the truth about what [he] feels or what has happened — this displacement, this change works as an experience condenser". By seeing the ethical and political responsibilities of literature — and of the arts, we could add — from this perspective, displacement would be the way by which literary texts oppose established power discourses in terms of both production (the writing process) and circulation. Such challenging of political and cultural domination is always voiced from the borders of the developed world, making the in-between its space of circulation. This condition would be fundamental to the establishment and sharing of the experience, since it is only in the relationships between subjects that experience can arise. Besides the exposed above, we also seek to analyze how displacement and the constitution of experience are fundamental questions that take part in the organization of various themes in Piglia’s works, and we want stablish a dialog with other contemporary writers, which are Paul Auster, João Gilberto Noll, Edmundo Paz Soldán and Diamela Eltit.
- ItemESTÉTICA DA RECEPÇÃO HISTÓRICA DA CIVILIZAÇÃO BURGUESA: DO LIBERALISMO AO NEOLIBERALISMO(Universidade Federal do Espírito Santo, 2019-06-28) Barbosa, Diana Carla de Souza; Amaral, Sergio da Fonseca; https://orcid.org/; http://lattes.cnpq.br/9383077540938356; https://orcid.org/; http://lattes.cnpq.br/; Zaidan, Junia Claudia Santana de Mattos; https://orcid.org/; http://lattes.cnpq.br/; Feitosa, Fabiana Curto; https://orcid.org/; http://lattes.cnpq.br/; Silva, Arlene Batista da; https://orcid.org/; http://lattes.cnpq.br/2371977118070548; Oliveira, Maria Fernanda Alvito Pereira de Souzaabstract
- ItemLA REPRESENTACIÓN DE SÍ MISMO Y EL OTRO: UNA LUCHA POR EL RECONOCIMIENTO A PARTIR DE LA REPRESENTACIÓN DEL MARGINAL.(Universidade Federal do Espírito Santo, 2020-05-28) Saenz, Said Leonardo Diaz; Nascimento, Jorge Luiz Do; https://orcid.org/; http://lattes.cnpq.br/5314773566668629; https://orcid.org/; http://lattes.cnpq.br/; Freire, Pedro Antonio; https://orcid.org/; http://lattes.cnpq.br/; Nathanailidis, Andressa Zoi; https://orcid.org/; http://lattes.cnpq.br/3371274869641421; Amaral, Sergio da Fonseca; https://orcid.org/; http://lattes.cnpq.br/9383077540938356; Dutra, Paulo Roberto de Souza; http://lattes.cnpq.br/1256149380405075Esta pesquisa contrapõe duas perspectivas artísticas produzidas na década dos sessenta sobre a cidade de São Paulo, o livro de poemas Rua (1961), escrito por Guilherme de Almeida, que vem acompanhado de fotografias; e o diário de Carolina Maria de Jesus i
- ItemLISTAS LITERÁRIAS: UM ESTUDO SOBRE AS INDICAÇÕES DA LITERATURA BRASILEIRA(Universidade Federal do Espírito Santo, 2020-03-02) Tragino, Arnon; Salgueiro, Maria Amelia Dalvi; https://orcid.org/; http://lattes.cnpq.br/9399371418356916; https://orcid.org/0000000234393047; http://lattes.cnpq.br/; Rocha, Joao Cezar de Castro; https://orcid.org/; http://lattes.cnpq.br/; Delmaschio, Andreia Penha; https://orcid.org/; http://lattes.cnpq.br/; Pizzol, Rafaela Scardino Lima; https://orcid.org/; http://lattes.cnpq.br/8597229308090828; Santos, Vitor Cei; https://orcid.org/0000000167563236; http://lattes.cnpq.br/3944677310190316; Amaral, Sergio da Fonseca; http://lattes.cnpq.br/9383077540938356The thesis studies literary lists of Anglophone origin that are translated and adapted in Brazil as ways of indicating books, authors and texts, which can be arranged in topics (informing only the title of the work and the author's name), or even be devel
- ItemMemória social em Leite derramado, de Chico Buarque : uma alegoria da formação do Brasil moderno(Universidade Federal do Espírito Santo, 2014-10-30) Canabarro, Tânia Cristina Vargas; Amaral, Sergio da Fonseca; Salgueiro, Wilberth Claython Ferreira; Ribas, Maria Cristina Cardoso; Delmaschio, Andréia Penha; Vermes, Viviana MônicaBased on the novel Leite derramado (Spilledmilk), by Chico Buarque de Hollanda, this thesis focuses on the study of brazilian social memory in the formative period of modern Brazil, portrayed in the novel by the narrator Eulálio. In this sense, the hypothesis guiding this study is that the novel can be read as an allegory of Brazil, since the character-narrator gets his, the memory of the country. To confirm this hypothesis, this paper attempts to explore two aspects of memory in Leite derramado (Spilledmilk): one from reading Proust made by Deleuze, the memory of the person acting as a search for truth and the other from Le Goff, memory collective, making room for studies Ecléa Bosi. Ie: at the junction of the two aspects, found in the narrator of the novel, one can work at the individual and collective memory as form and matter to the allegorical construction of brazilian history that would put two simultaneous search of a truth: the personal and social. Thus, by means of Eulálio’s senile memory, the reader can trace an overview of the major brazilian social problems that occurred in the late nineteenth century and early twentieth century, such as: class conflicts, patriarchy, the decay of the traditional oligarchy of the country, the existing prejudices against minority social groups.
- ItemOs desaparecimentos em romances de Chico Buarque(Universidade Federal do Espírito Santo, 2023-06-28) Toso, Francielli Noya; Trefzger, Fabiola Simao Padilha; http://lattes.cnpq.br/7299183790903513; https://orcid.org/0000-0002-1429-1078; http://lattes.cnpq.br/6581976005955633; Dalvi, Camila David; Martinelli Filho, Nelson; http://lattes.cnpq.br/9186790476855298; Ribeiro, Renata Rocha; Vermes, Viviana Monica; http://lattes.cnpq.br/3806495173897941; Amaral, Sergio da Fonseca; http://lattes.cnpq.br/9383077540938356; Santos, Jose Carlos dosThe objective of this thesis is to analyze the novels Estorvo (2014), Benjamim (2010), Budapeste (2010), Leite derramado (2009), and O irmão alemão (2014), written by Chico Buarque, from a thematic focus: the recurrence of disappearances, in different aesthetic treatments. To verify how this issue develops in each novel, the thesis examines the subjective configurations of the narrators, the fictionalization procedures of memory and history discourses, the games with the presence/absence of the author and the element of violence in the constitution of the plot. The theoretical framework that supports the analysis dialogues with interdisciplinary texts, such as those by Sigmund Freud and Paul Ricoeur. By highlighting the formal particularities of each novel that makes up this literary corpus , which includes a relationship between disappearances and a suspended future, it becomes noticeable the author's adherence to some trends of contemporary literature, especially those that manifested after 1980. Part of contemporary Brazilian fiction, to which the novels Benjamim , Leite derramado , and O irmão alemão are related, has an archival impulse in relation to the duty of memory, establishing itself as a front of resistance in the fight against forgetting the serious violations of human rights that occurred in Latin American dictatorships. Therefore, if literature has a function in denaturalizing violence, the formation of readers has been advocated by scholars (CANDIDO, 2011; COSSON, 2016; GINZBURG, 2016) as a categorical imperative in the construction of a just society. Considering the importance of reading in guaranteeing human rights, the education in the state of Espírito Santo gains space, in the last chapter, with the analysis of the data provided by the National Institute for Educational Studies and Research Anísio Teixeira about some schools in the state network, which allows to conclude the need to expand access to contemporary literature.
- ItemSAGRADA POESIA MALDITA: o desenvolvimento da cosmovisão homoerótica na obra de Waldo Motta(Universidade Federal do Espírito Santo, 2020-04-27) Martinuzzo, Marcel Bussular; Machado, Lino; https://orcid.org/; http://lattes.cnpq.br/3403896925334634; https://orcid.org/; http://lattes.cnpq.br/; Salgueiro, Wilberth Claython Ferreira; https://orcid.org/0000000338174738; http://lattes.cnpq.br/4872315380917914; Bomfim, Renata Oliveira; https://orcid.org/; http://lattes.cnpq.br/; Costa, Ricardo Ramos; https://orcid.org/; http://lattes.cnpq.br/; Carvalho, Raimundo Nonato Barbosa de; http://lattes.cnpq.br/8131553979688267; Amaral, Sergio da Fonseca; http://lattes.cnpq.br/9383077540938356This study investigates Capixaba poet Waldo Motta`s homo-erotic cosmovision, what it consists of and how it unfolds. Based on a detailed and deep reading of Motta's work, enlightened by literary scrutiny and theory, we intend to show the most important el
- ItemUma mulher : a feminilidade a partir da literatura de Clarice Lispector(Universidade Federal do Espírito Santo, 2019-07-17) Paiva, Marcela Ribeiro Pacheco; Amaral, Sergio da Fonseca; https://orcid.org/0009-0009-8382-733X; http://lattes.cnpq.br/9383077540938356; https://orcid.org/0000-0001-8500-8738; http://lattes.cnpq.br/8647328600887137; Delmaschio, Andreia Penha; https://orcid.org/0000-0002-6763-6412; http://lattes.cnpq.br/5899447868618380; Tronquoy, Darlene Vianna Gaudio Angelo; https://orcid.org/; http://lattes.cnpq.br/0307185068757223; Miranda, Ana Augusta Wanderley Rodrigues de; https://orcid.org/; http://lattes.cnpq.br/3660531746067707; Trefzger, Fabiola Simao Padilha; http://lattes.cnpq.br/7299183790903513; Soubbotnik, Olga Maria Machado Carlos de Souza; Machado, Lino; http://lattes.cnpq.br/3403896925334634This work aims to explore the literature of Clarice Lispector regarding femininity. The objective is to examine the feminine dynamics through Clarice’s writing, in order to elaborate a reflection on the theme. It references to the Psychoanalytic Theory, with emphasis on the Lacanian approach. According to this perspective, femininity is a particular construction that conjectures inventiveness, whereas there’s a lack of representation of the female sex signifier. Hence, the partial submission to the phallic law and, consequently, the access to an Other jouissance, properly feminine, on which nothing can be said. Hence Femininity is referred to as unnameable. Therefore, the literature of Clarice Lispector implies a possibility of approximation because, by means of devices, it reveals what surpasses language. Thus, the study intends to analyze tales that allow us to discern the feminine otherness, namely: "The disasters of Sofia"; "The imitation of the rose"; "Love".