Doutorado em Letras
URI Permanente para esta coleção
Nível: Doutorado
Ano de início: 2010
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1503
Navegar
Submissões Recentes
- ItemMitologia yawo: o valor das coisas na preservação dos recursos naturais na Reserva Especial do Niassa(Universidade Federal do Espírito Santo, 2025-08-06) Ausse, Luís; Arendt, João Cláudio; https://orcid.org/0000-0002-2587-2521 ; http://lattes.cnpq.br/4108580744111952; https://orcid.org/0000-0001-6814-9782; http://lattes.cnpq.br/0233283011223040; Schiffler, Michele Freire; https://orcid.org/0000-0001-9198-468X; http://lattes.cnpq.br/9912476303376712; Soares, Luís Eustáquio ; https://orcid.org/0000-0002-1430-4705; http://lattes.cnpq.br/2213072997694353; Amide, João Baptista; https://orcid.org/0009-0002-0219-6388; https://lattes.cnpq.br; Vasconcelos, Adaylson Wagner Sousa de ; https://orcid.org/0000-0002-5472-8879; http://lattes.cnpq.br/8490725141573170This thesis, titled “Yawo mythology: the value of things in the preservation of natural resources in the Niassa Special Reserve (REN)”, aims to investigate how mythical narratives help with the preservation of natural resources in REN. Specifically, it intends to describe the origin, uses and customs, beliefs and experiences of the Yawo people, and characterize the mythical narratives of natural resource preservation produced by the Yawo community. Moreover, it presents the constitutive relationship between the ancestral knowledge and the religiosity of the community, and analyzes the contribution of mythical narratives to the preservation of natural resources. Methodologically, we used the interview method, whose interaction involved eighteen subjects. At this stage, the work consisted of formulating in-depth questions with some of the residents, community leaders, hunters and local medicine practitioners. Our goal was to learn more about the settlement of the Yawo people in the region where REN is located today, the formation of the Nangwaale dynasty, the routes of migration, from the region of origin of the Yawo people to Mecula, their connection with nature, their myths and rituals involving the use of plant parts or animal sacrifices, and their offerings to deities and spirits, among other topics. The research focused on four conservation areas: Chiulesi Project, Mariri Investment, Luwire Wildlife Conservancy and the community of Matondovela, with a view to surveying and recording all Sacred Bodies. To complement these methods, old documents from the local government and National Ethnography Museum were analyzed to verify the years in which the three administrative posts were established and compare the official registration of names that have animal and plant origins. Ultimately, it was discovered that the life of the Yawo people is founded on worldviews and world perceptions, whose interpretation is challenged in a symbolic language. In view of this, there are Sacred Bodies (lakes, mountains, forests) and Supernatural Beings that are evoked as a condition for the divine to provide for the preservation of nature and, therefore, the full life of the Yawo people. This study has a huge difference in relation to ethnographic research and opens a new front for literary studies. Furthermore, it is expected to be innovative and useful when reflecting on the contribution of local knowledge to tackle environmental issues. Hence, it is necessary to adopt strategies that favor an equal path between Western currents of natural resource conservation and mythical narratives.
- ItemEntre a mudança e a fuga: reificação e desreificação em Vidas Secas, de Graciliano Ramos(Universidade Federal do Espírito Santo, 2025-08-07) Silva, Caio Raphael Passamani Simões; Santos, Vitor Cei; https://orcid.org/0000-0001-6756-3236; http://lattes.cnpq.br/3944677310190316; https://orcid.org/0000-0003-1587-087X; http://lattes.cnpq.br/4028358287969171; Paz, Gaspar Leal; https://orcid.org/0009-0002-1139-1791; http://lattes.cnpq.br/5152530982132224; Soares, Luis Eustáquio; https://orcid.org/0000-0002-1430-4705; http://lattes.cnpq.br/2213072997694353; Araújo, Bárbara Del Rio; https://orcid.org/0000-0001-5415-6981; http://lattes.cnpq.br/0512879909037079; Queiroz, Luciana Molina; https://orcid.org/0000-0003-3216-0685; http://lattes.cnpq.br/8472013207320924In Barren Lives, a novel by Graciliano Ramos, a family of migrants from Northeast Brazil experiences the consequences of poverty, labor exploitation, and drought in a process that reduces them to the condition of things. This dissertation argues that while reification (objectification) dehumanizes the lives of these backwoodsmen by rendering human labor invisible, the novel de-reifies them by making labor visible and restoring the humanity of the characters. The aim is to investigate the author's aesthetics in light of the Brazilian socioeconomic reality, as well as to analyze individually the reifying dilemmas experienced by each character. Karl Marx and György Lukács — who expanded on Marx’s reflections on reification — provide the theoretical foundation for this research
- ItemA poesia feminista de Leila Míccolis: crítica e resistência à violência patriarcal(Universidade Federal do Espírito Santo, 2025-07-04) Almeida, Evelyn Santos; Santos, Vitor Cei; https://orcid.org/0000-0001-6756-3236; http://lattes.cnpq.br/3944677310190316; https://orcid.org/0000-0003-1584-6378; http://lattes.cnpq.br/4147016012465988; Schiffler, Michele Freire; https://orcid.org/0000-0001-9198-468X; http://lattes.cnpq.br/9912476303376712; Moreira, Daniella Bertocchi; https://orcid.org/0000-0003-3330-2788; http://lattes.cnpq.br/0093922025948894 ; Oliveira, Marcus Vinicius Xavier de; https://orcid.org/0000-0002-9319-6094; http://lattes.cnpq.br/4713144864234104; Siega, Paula Regina; https://orcid.org/0000-0002-6016-2445; http://lattes.cnpq.br/4593713985549602This thesis analyzes the critique of and resistance to patriarchal violence in the poetry of Leila Míccolis from 1965 to 2013. Adopting a feminist and interdisciplinary approach, it investigates how her poetic work operates as a form of denunciation and confrontation of gender-based structures of domination, particularly within affective and familial relationships. The corpus comprises poems from the following books: Gaveta da Solidão (1965); Impróprio para menores de 18 amores (1976), co-authored with Franklin Jorge; Respeitável Público (1980); Mercado de escravas (1984), with Glória Perez; Só se for a dois (1990), with Urhacy Faustino; De 4 (1990), with Glória Perez, Marçal Aquino, and Ona Gaia; Sangue cenográfico (1965–1997); Literatura Século XXI (1998); and Desfamiliares (2013). All of these works are included in the anthology Desfamiliares: poesia completa de Leila Míccolis (1965–2012), published in 2013. These texts are examined through the lens of literary and socio-philosophical theories by authors such as Theodor Adorno, Pierre Bourdieu, Judith Butler, Silvia Federici, bell hooks, and Rita Segato, proposing a critical reading of poetic discourse as both representation of and resistance to the symbolic and material forms of patriarchal violence. From this perspective, the study highlights Míccolis’s contribution to the construction of Brazilian feminist poetry—still marginalized within canonical literary criticism. While she is known for her involvement in the marginal poetry movement of the 1970s and for employing eroticism as a form of protest, her incisive critique of patriarchy and authoritarian affective dynamics remains underexplored. This research seeks to fill that gap by foregrounding the political and transgressive dimensions of her poetry, which disrupts normative models of subjectivity and opens a space for reflection on the manifold forms of violence that permeate women's everyday lives. In times of social and political regression, her voice endures as both urgent and necessary. The thesis concludes that, for its critical force, acerbic humor, and thematic depth, Leila Míccolis’s oeuvre constitutes a landmark in Brazilian feminist literature and warrants broader critical recognition.
- ItemA representação feminina na dramaturgia de Oswald de Andrade(Universidade Federal do Espírito Santo, 2025-05-29) Moronari, Joyce Galon da Silva; Schiffler, Michele Freire; https://orcid.org/0000-0001-9198-468X; http://lattes.cnpq.br/9912476303376712; Amaral, Sérgio da Fonseca; https://orcid.org/0009-0009-8382-733X; http://lattes.cnpq.br/9383077540938356; https://orcid.org/0000-0001-8920-4250; http://lattes.cnpq.br/6565368843201676; Maria Clara Gonçalves; https://orcid.org/0000-0003-4352-1204; http://lattes.cnpq.br/2349748293479287; Paz, Gaspar Leal; https://orcid.org/0009-0002-1139-1791; http://lattes.cnpq.br/5152530982132224; Pinto, Lucas de Carvalho Larcher; https://orcid.org/0000-0002-8988-0192; http://lattes.cnpq.br/7649863724834922; Silva, Lucas dos Passos e,; https://orcid.org/0000-0003-1139-7376; http://lattes.cnpq.br/7618847422448650In the dramaturgy of Oswald de Andrade, we encounter boldness and themes that subtly challenge the conventional, leading us to a critical awareness typical of a theater that, in addition to entertaining, exposes the structures of the socio-political system and deconstructs society. Based on the premise that the female figure is a fundamental part of the reconfiguration of social dynamics that the author advocates in his anthropophagic theater, this research arises from the interest in understanding “who are the women that pulse in the interlines of his texts,” through a reading of the plays O rei da vela (1933), O homem e o cavalo (1934), and A morta (1937), focusing on the female characters. The aim is to analyze the representation of women in the author’s dramaturgical composition, citing critics who have studied Oswald's dramatic work, voices that establish the relationship between History and Literature and emphasize the importance of the historical context for understanding the works, as well as critical voices that have focused on the study of women in literature and history, articulating the underlying elements of the text with the fictional environment and the notions of writing and characters in the dramatic text.
- ItemClasse, raça e gênero à luz da teoria da dependência e das favelas brasileiras em Carolina de Jesus e Conceição Evaristo(Universidade Federal do Espírito Santo, 2025-04-30) Apolinario, Danielle da Silva; Soares, Luís Eustáquio; https://orcid.org/0000-0002-1430-4705; http://lattes.cnpq.br/2213072997694353; https://orcid.org/0000-0001-9035-2162; http://lattes.cnpq.br/8401868329355369; Ferreira, Arlene Batista da Silva; http://lattes.cnpq.br/2371977118070548; https://orcid.org/0000-0001-8153-5776; Nathanailidis, Andressa Zoi; https://orcid.org/0000-0002-6264-2362; http://lattes.cnpq.br/3371274869641421; Contreras, Josefa Sanchez; https://orcid.org/0009-0005-8763-9839; Ribeiro, Jiego Balduino Fernandes; https://orcid.org/0009-0009-2765-9386; http://lattes.cnpq.br/6883534901712641The thesis “Class, Race, and Gender in Light of Dependency Theory and Brazilian Favelas in the Works of Carolina de Jesus and Conceição Evaristo” examines the works Quarto de Despejo: Diário de uma Favelada by Carolina Maria de Jesus and Becos da Memória by Conceição Evaristo through the lens of the inseparable relationship between class, race, and gender, mediated by the Marxist category of dependency. This analysis is framed within the context of critical literary reading in the classroom, underscoring the necessity of a theoretical-methodological perspective grounded in the contributions of Theotonio dos Santos (2023) and Vania Bambirra (2019). These scholars provide a robust framework for an objective analysis of the intersection of class, race, and gender within the context of dependent countries. Given its connection to the field of Brazilian literature and the intersection of literature and education, the research is further supported by the contributions of Suéllen Pereira Miotto Lourenço (2021). Her work on methodological approaches to teaching literature in secondary education, as well as her emphasis on the teacher’s commitment to fostering literary engagement in school environments, provides a solid foundation for our discussions on literary reading in educational settings. Throughout the thesis, we analyze the tragic effects of dependent capitalism, particularly on Black women and, by extension, the working class as a whole. The thematic focus is on Brazilian Favelas, as these communities are a necessary outcome of the development of the capitalist mode of production in a dependent country. Furthermore, the analyses developed in this study aim to support the implementation of Law 10.639/2003, which mandates the teaching of Afro-Brazilian and African history and culture in basic education institutions. This law seeks to promote critical literary reading within schools, thereby enriching students' understanding of the intersections of class, race, and gender in the context of Brazil’s dependency. As a result, this thesis aspires to deepen the educational dialogue among high school students by fostering reflective engagement with the interplay of class, race, and gender within Brazil’s dependent condition. It also seeks to stimulate students' oral and written argumentation skills by emphasizing that, within dependent capitalism, it is impossible to address the intersection of class, race, and gender without confronting the challenge of overcoming Brazil’s dependent status. This argument highlights the need for educators to be acutely aware of Brazil’s socioeconomic realities as a prerequisite for mediating the teaching-learning process and facilitating access to critical literary reading in practice. Recognizing art as a political, social, and critical stance, this study aims to move beyond the mere—and theoretically neutral—transmission of knowledge, which often serves to consolidate the existing order and perpetuate the condition of dependency. Instead, it advocates for a transformative approach that challenges the status quo and fosters critical consciousness.