Doutorado em Letras

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17525

Nível: Doutorado
Ano de início: 2010
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1503

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Navegando Doutorado em Letras por Assunto "Alteridade"

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    A representação do espaço na Odisseia: definindo isotopias, heterotopias e utopias na Grécia antiga (séculos X-VIII a.C)
    (Universidade Federal do Espírito Santo, 2014-08-18) Gabrecht, Ana Penha; Silva, Gilvan Ventura da; Lima, Alexandre Carneiro Cerqueira; Sebastiani, Breno Batistin; Lessa, Fábio de Souza; Trefzger, Fabíola Simão Padilha; Leite, Leni Ribeiro
    The Ancient Iron Age (12th -8th b. C.), in continental Greece, was a moment in which communities were transitioning from a process of isolation. After the destruction of the Mycenaean palaces – a series of simultaneous events that took place around the turn from the 13th to the 12th century b. C. – the Greek world plunged into a period that lasted about four centuries – between the 11th and the 8th centuries b. C. – in which an accentuated reduction of material production and of demographical development was felt. At the same time, the disappearance of written documentation hampers the understanding of what happened during those centuries. A researcher interested in that period of Greek History is able to use, besides the analysis of elements of material culture, the two epic poems traditionally assigned to Homer: the Iliad and the Odyssey. Orally transmitted through a long chain of rhapsodes and fixed in writing around the 7th or 6th century b. C., they transmit important information about the societies that lived in Greece at different moments in time. While we are aware that the works attributed to Homer are poetic texts, we believe that Literature can be an important instrument to historians, if we consider that literary genres are closely related to the historic conditions that produced them. Therefore, in this research, we decided to use the Odyssey as source of analysis, because it is considered to have been composed later than the Iliad, and, consequently, more representative of the final phase of the Ancient Iron Age. We will refer, especially, to the process of formation of new Greek settlements outside of continental Greece, mainly in the Italic Peninsula, which represented, in our opinion, a reconfiguration in how space is understood. We believe that, based on excerpts of the Odyssey, it is possible to understand the process of formation of identities and alterities in the Greek world, especially during the 7th century b. C., the period in which we concentrate our studies, because that was a moment of radical transformation for the Greeks. In this reseach, we associated the spaces described by Homer, to the concepts of isotopia, utopia, and heterotopia as developed in Henri Lefebvre’s theoretical table, in order to capture how one could define a Greek identity. Keywords: Odyssey. Homer. Space.
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    Da imagem das mãos ao corpo sem órgãos: um olhar sobre a personagem Paulo Honório do romance S. Bernardo, de Graciliano Ramos
    (Universidade Federal do Espírito Santo, 2017-09-28) Sandrini, Elizabete Gerlândia Caron; Soares, Luis Eustáquio; Trefzger, Fabíola Simão Padilha; Azevedo Filho, Deneval Siqueira de; Correia, Alda Maria Jesus; Chiaretto, Marcelo
    The corpus for this thesis was the second novel by Graciliano Ramos, S. Bernardo. Published in 1934, the narrative is made up of accounts by the character-writer Paulo Honório, the focus of this study. The objective was to point out how the character becomes a body free from interpretation and judgment though molded by body organizing modes of life, i.e., a body without organs – unblocked by dominating hierarchical organizations; transcendences organized to draw useful labour from individuals. In short, a new body that results from a world of pure difference in Deleuze&Guattari‘s terms. In this perspective, the critical analysis focused on the relationship between Paulo Honório and the other characters – especially with Madalena, his wife – and also between him and literary art. Inthe light of the theoretical frameworks by Jacques Lacan, Sigmund Freud, Gilles Deleuzeand Felix Guattari, among others, including critics of Graciliano Ramos, the organized body of the protagonist – marked by the sociopolitical economic context – was analyzed in view of the unveiling oddity of this body – starting with hands – that is remade into a new body, powerful to affect and be affected – without organs – transgressor of modes of life, denouncer of models, standards and norms ingrained in an organic organization of bodies.