Mestrado em Comunicação e Territorialidades
URI Permanente para esta coleção
Nível: Mestrado Acadêmico
Ano de início: 2014
Conceito atual na CAPES: 4
Ato normativo:CNE/CES nº 154/2014
Periodicidade de seleção: Anual
Área(s) de concentração:Comunicação e Territorialidades
Url do curso: https://comunicacaosocial.ufes.br/pt-br/pos-graduacao/POSCOM/detalhes-do-curso?id=1475
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- ItemJornalismo ambiental e literário: ativismos, subjetividades e territorialidades nas narrativas em Sumaúma(Universidade Federal do Espírito Santo, 2025-09-22) Messias, Ana Carolina Poleze; Reis, Ruth de Cássia dos; https://orcid.org/0000-0003-3571-3580; http://lattes.cnpq.br/2483123134241477; https://orcid.org/0009-0003-1889-3556; http://lattes.cnpq.br/8095975619045046; Henriques, Rafael da Silva Paes; https://orcid.org/0000-0002-1812-5886; http://lattes.cnpq.br/4260742302003843; Girardi, Ilza Maria Tourinho; https://orcid.org/0000-0001-8766-7139; http://lattes.cnpq.br/2958087259315385This research presents a study about the connections between environmental journalism and literary journalism, using the independent environmental journalism platform Sumaúma, co-founded by journalist Eliane Brum, as a reference. We adopt the hypothesis that literary journalism functions as a narrative device to enhance activism within environmental journalism, and we seek to answer the following question: How do elements of literary journalism, combined with those of environmental journalism on the Sumaúma platform, construct activism in defense of territories? To address this, we explore debates around objectivity, subjectivity, news values, and activism in order to understand how our subject challenges the traditional canons of journalism theory. We define the concepts of environmental, literary, and independent journalism, and we contextualize the notions of territoriality present in Sumaúma. Our methodology is based on the Pragmatic Analysis of Journalistic Narrative (Motta, 2005), applied to 18 reports from the "Yanomami Genocide" section. We identify key themes and conflicts, characters, communicative strategies of objectification and subjectification, and metanarratives. Based on our analyses, we conclude that Sumaúma employs literary journalism techniques as narrative tools in the construction of environmental activism, thereby filling a gap left by mainstream media bound to objectivity and impartiality
- ItemInsecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções(Universidade Federal do Espírito Santo, 2025-08-13) Cypriano, Dyone Arruda; Alves, Gabriela Santos; https://orcid.org/0000-0001-5243-7499; http://lattes.cnpq.br/5801228543473679; https://orcid.org/0009-0008-6921-8776; http://lattes.cnpq.br/7728174011599896; Silva, Maria Lucia da; https://orcid.org/0000-0001-5340-3135; Opolski, Débora Regina; https://orcid.org/0000-0002-7784-3626; http://lattes.cnpq.br/5694754137339356The objective of this dissertation is to analyze and reflect on the protagonism of Black women in the American fictional television series Insecure, focusing particularly on its first season, released in 2016, and on the insertion of songs featuring female voices throughout the episodes. The study examines not only the leading roles of Issa Dee, played by Issa Rae, and Molly Carter, played by Yvonne Orji, but also the supporting characters Kelli Prenny and Tiffany DuBois, analyzing their dramatic actions, highlighting spoken/sung melodies (especially in rap style), and how songs are integrated into the episodes or the season’s narrative arc. The theoretical framework of this research is grounded in contemporary strands of Black feminism, drawing on both American and Brazilian thinkers such as bell hooks and Lélia Gonzalez, among others. The methodology, with a qualitative approach, employs film and sound analysis of the Insecure series corpus. This analysis focuses on narrative elements that address a range of themes and issues central to the experiences of Black women, including loneliness, silencing, labor struggles, sexism, the search for care and belonging, and the complexities of relationships. To that end, the research concentrates on sung speech/voice-melody, the selection of frames, and the choice of songs featuring female voices. The breakdown of these elements will help reveal the complex experience of Black women and their representation in serial fiction.
- ItemSuicídio em tempos de crise: o enquadramento jornalístico entre a responsabilização individual e a dimensão social(Universidade Federal do Espírito Santo, 2025-09-04) Miliorelli, Cecília Ribeiro; Henriques, Rafael da Silva Paes; https://orcid.org/0000-0002-1812-5886; http://lattes.cnpq.br/4260742302003843; https://orcid.org/0009-0008-5698-7090; http://lattes.cnpq.br/2226013033526911; Santos Neto, Edson Theodoro dos; https://orcid.org/0000-0002-7351-7719; http://lattes.cnpq.br/5430137427291413; Seixas, Lia da Fonseca ; https://orcid.org/0000-0002-4459-6729; http://lattes.cnpq.br/6178587093376509This dissertation analyzes the frames produced by journalistic coverage of suicide in Espírito Santo during the COVID-19 pandemic. In this context, the research focuses on identifying whether there are elements that indicate individual responsibility in the news articles and how this reference is constructed within the journalistic text. Data collection was carried out using SIGCovid-19, a monitoring tool that tracks the activity of 21 news portals in Espírito Santo during the health crisis. News articles published between March 11, 2020, and May 5, 2023, were mapped, resulting in an analytical corpus of 147 texts, including both informative and opinion pieces. The study was conducted in two stages. In the first stage, quantitative data were collected regarding the news portals and their respective regions of concentration, the most frequent publication dates, the sections with the highest number of articles, and the most cited sources. These findings help contextualize the production environment of these news reports. In the second stage, the following functions and their respective locations within the journalistic text were identified: problems, causes, solutions, and moral judgments, based on Robert Entman’s (1993) framing analysis framework. The results point to a tendency to assign individual responsibility for solving the issue, mainly through the use of neoliberal discourses of self-management and awareness. Furthermore, the COVID-19 context stood out significantly in relation to the coverage of suicide, as did the frequent mention of mental health issues throughout the analyzed texts, often lacking connection between them. The data also reveal a limited number of articles that approach suicide from a broader social perspective, with few narratives that move beyond individual responsibility to offer greater context to the problem
- ItemTerritórios do envelhecimento feminino: corpo e aparência na série and just like that(Universidade Federal do Espírito Santo, 2025-08-14) Garcia, Claudia; Alves, Gabriela Santos; https://orcid.org/0000-0001-5243-7499; http://lattes.cnpq.br/5801228543473679; https://orcid.org/0009-0007-0068-6435; Fiel, Arthur Felipe de Oliveira; https://orcid.org/0000-0002-1468-5958; http://lattes.cnpq.br/7349087526723649; Pereira, Beltrina da Purificação da Côrte; https://orcid.org/0000-0003-2717-3262; http://lattes.cnpq.br/2236463664195609This dissertation investigates the narrative strategies — technical, visual, and verbal — used in the television series And Just Like That to address issues related to body appearance and the aesthetic pressures experienced by women in their fifties. The research is based on the understanding of the aging female body as a symbolic and political territory, shaped by social, aesthetic, and gender norms, and proposes an intersectional analysis of the representations of female old age in audiovisual media. The study is situated within the field of communication and territorialities, drawing on concepts such as body-territory (Haesbaert, 2020), body as capital (Goldenberg, 2011), the morality of smooth skin (Sibilia, 2012), the aesthetics of smoothness (Han, 2019), the beauty myth (Wolf, 1991), ageism (PAHO, 2022), and technologies of age (Bañón and Zecchi, 2020), among other key contributions. The methodology combines serial narrative analysis with film analysis techniques, focusing on selected scenes from the first season of the series, with special attention to the visual construction of the characters, narrative arcs, and costume design as an expressive tool of identity and visibility. The study also employs the categories of aging myths and stereotypes proposed by Assis et al. (2023). By reflecting on the ways in which the series represents female aging—at times reinforcing exclusionary standards, at others opening space for resistance— this research contributes to the debate on gender, age, and visibility in contemporary audiovisual media, offering a critical reading of the multiterritorialities of aging and of appearance as a surface of symbolic and political disputes.
- ItemRepresentações sociais dos negros em campanhas premiadas da agência Gana : possibilidades para a publicidade antirracista brasileira(Universidade Federal do Espírito Santo, 2025-07-09) Oliveira, Igor Emilio Fonseca; Oliveira, Elisa Fabris de ; https://orcid.org/0000-0002-5177-1847; http://lattes.cnpq.br/6898456979480449; https://orcid.org/0009-0006-1771-5928; http://lattes.cnpq.br/6489363710324848; Souza, Flavia Mayer dos Santos ; https://orcid.org/0000-0003-3724-8109; http://lattes.cnpq.br/7612159350183081; Ferreira, Sérgio Rodrigo da Silva ; https://orcid.org/0000-0002-9899-4378; http://lattes.cnpq.br/6898076743592293Understanding in recent years a dynamic of change and spatial occupation inherent to the Black ethnic group in various instances of Brazilian society, the present study analyzed the social representations of Black individuals in advertising campaigns that won the most prestigious and traditional award in the field in Brazil. These campaigns were developed by an agency composed entirely of Black professionals. The research investigated whether the occupation of positions related to the promotion and creation of advertising materials by members of this group materials that circulate widely in the media can generate shifts in the stereotypical representations of Black people in advertising. This study is characterized as exploratory and descriptive, and relies on bibliographic and documentary research throughout its course. The corpus consists of advertisements produced by Agência Gana within the 2022 timeframe, the year the agency won awards in multiple categories at the Clube de Criação Festival, Brazil’s most prestigious advertising competition, in its very first participation. To analyze the static visual and audiovisual materials comprising the corpus, the first methodological step involved applying a structured guide protocol (Gaskell, 2015), which gathers primary information and serves as a preparatory framework for the second methodological step: content analysis (Bardin, 1977) complemented by visual analysis contributions (Rose, 2012), considering the visual nature of the materials. The theoretical framework is divided into two main axes. The first draws on the Theory of Social Representations (Moscovici, 1976; Jodelet, 2022; Cabecinhas, 2004; Guareschi, 2013; Arruda, 2002) to discuss representation. The second axis articulates interdisciplinary authors who explore the relationship between Black identity and advertising (Leite; Batista, 2019; Corrêa, 2019; Gastaldo, 2004; Evaristo, 2018; Shohat & Stam, 2006; Trindade, 2019; Hooks, 2019; Kilomba, 2019; Maciel, 2016; Hall, 2006, Monsma, 2017, Bhabha, 1994; Carneiro, 2023), contributing to the debate on how this group is portrayed in the field. Through the investigations, it was found that Black individuals were prominently featured in the analyzed materials, recognized as consumers, and that there was a positive use of Black aesthetics in the branding of advertised products, suggesting signs of identity affirmation. However, the study also identified elements linked to hegemonic representations of Black people historically perpetuated by Brazilian advertising