Doutorado em Letras

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17525

Nível: Doutorado
Ano de início: 2010
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1503

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Agora exibindo 1 - 12 de 12

A crônica e a crônica de José Carlos Oliveira em 1968: o império do sério e do útil
(Universidade Federal do Espírito Santo, 2015-09-28) Gonring, José Irmo; Nascimento, Jorge Luiz do; Albertino, Orlando Lopes; Amaral, Sérgio da Fonseca; Mendonça, Carlos Vinicius Costa de; Alves, Gabriela Santos
This study main focus is the book Diário da patetocracia – crônicas brasileiras 1968, by José Carlos Oliveira (Vitória, 1934-1986). Since there is no official status for the Brazilian crônica, we had to infer it based on a historic approach beginning with the XIX century, when Machado de Assis sketches a definition for the genre – still addressing the ancestral serial – as the marriage between the useful and the futile with the serious and the frivolous. In JCO's texts published every day in Jornal do Brasil and later collected in the aforementioned book (a posthumous work), we see an author working against the futile and the frivolous, as well as against the lyricism/intimism derived from bossa nova that characterized the crônica in the 1950s and 1960s. The social tension of that era would find a José Carlos Oliveira always ready, in his daily column, to address relevant topics in a serious and persuasive way, making it even difficult for us to call some of his texts “crônicas”. As a man of his time, in “situation”, openly existentialist, he answers those requests with a sartrean “commitment”. In order to understand the author's attitude, we resort to Bakhtin's concept of Architectonics of Answerability. We propose that it is possible to connect these two perspectives in order to identify the dynamics governing the individuals' ethical attitudes. In the examined texts from 1968, our evaluation is that the ethical dimension overlaps the aesthetical one.
A máquina literária em movimento de guerra: uma leitura de seis contos de Rubem Fonseca
(Universidade Federal do Espírito Santo, 2016-09-30) Rozário, Jefferson Diório do; Trefzger, Fabiola Simão Padilha; Amaral, Sérgio da Fonseca; Nascimento, Jorge Luiz do; Silva, Paulo Muniz da; Pimentel, Daise de Souza
The reading of literary production by Rubem Fonseca identifies inside a recurring theme: the opposition to the State power. Evidenced this point, based on the narratives of the stories "Feliz ano novo", "O Cobrador", "Fevereiro ou Março", "A força humana", "A matéria do sonho", "O livro de panegíricos", and other writer's books , we discuss and we examine some of the affections and perfections of these literary works, in a possible dialogue with the concepts of the War Machine and Nomadism, by the philosophers Deleuze and Guattari. The social formation requires the establishment and maintenance of various systems, which are supported by various speeches and machinery. Among these systems, some of them are preponderant, but they do not prevail without others, even though lurking, they act in contradiction to the model that prevails. The State is one of those prominent compounds, actually it is a form of central power in society , supported by speeches, attitudes, ideologies, finally, a range of elements that together form up the State machine. Averse to it, there is the war machine a kind of counter-movement to the determination of the state power. This machine is a nomadic breeding and it has the nomadism as its foundation. In this sense, it will be analyzed the fonsequiana literary representation of a subjectivity that is defined by a counter movement to the determinations of discourse that arises as a central and prevailing in contemporary society.
Caio Fernando Abreu por Caio F.
(Universidade Federal do Espírito Santo, 2015-08-19) Kogure, Linda Emiko; Amaral, Sérgio da Fonseca; Lyra, Maria Bernadette Cunha de; Nascimento, Jorge Luiz do; Carvalho, Raimundo Nonato Barbosa de; Chiaretto, Marcelo
This paper aims to analyze the literally work of Caio Fernando Abreu (CFA) through the self written perspective (auto or/and alterfictional) and performance, from two point of views: first from the “travelers” (in permanent deployment from de characters in proximity to the author’s trips) and the other from the personae, mainly, the ones seen in the letters where CFA “shuffles in” other selves, signing different names, such as Caio F. The structure is analog to a travel script, the two point of views studied culminate in a travel log, with novels, tales, letters, “chronicles” and interviews fragments from the author to newspapers and magazines. The travel log is signed by Caio F., the other self that triumphs as a trace of a trace, the literally symbol, the representative, the most iterated persona that substitutes or overlaps more and more the author’s name, even after over three decades from its creation.
Cronotopia em contos do modernismo tardio brasileiro: Clarice Lispector, Osman Lins e Guimarães Rosa
(Universidade Federal do Espírito Santo, 2018-02-21) Toledo, Vera Márcia Soares de; Trefzger, Fabiola Simão Padilha; Salgueiro, Wilberth Claython Ferreira; Amaral, Sérgio da Fonseca; Drumond, Josina Nunes; Rocha, Karina Bersan
The short narrative, also known as short story, in the context of the Brazilian Late Modernism, is the object of study in this work. The short story possesses its own categorization, differentiating itself from other literary narratives in what theory commonly denominates “extension” or, according to Carlos Reis and Ana C. Lopes, a “modality of temporal variation of the narrative”. All the elements that mark the diversity of this textual type in relation to the various narrative forms – such as brevity, constitutive simplicity, linearity, plot concentration, chronotopic concentration, dramatic density, thematic singularity, intensity, univocity and univalence – are somehow related to extension. The emphasis of the analysis and the interpretation of the time and space componentes in the formation of the chronotope are conceived, in this research, aiming the recognition of a pathos that may provide density to the modern short story brevity. The main sources of research in analysis and interpretation of short stories of Clarice Lispector, Osman Lins e Guimarães Rosa were based on specialized studies in literary theory and critics. Also those that studied the chronotope in the context of modernity, in the twentieth century, and philosophers and scholars of time and space, considering the narratives as focus.
Etnicidade e literatura: a presença do negro na literatura marginal periférica
(Universidade Federal do Espírito Santo, 2019-02-28) Mongim, Luciana Marquesini; Nascimento, Jorge Luiz do; Amaral, Sérgio da Fonseca; Schiffler, Michele Freire; Nathanailidis, Andressa Zoi; Maciel, Keila Mara de Souza Araújo
This thesis focuses on the critical reading of Elizandra Souza's Águas da Cabaça (2012) poetry book and Allan da Rosa's Reza de Mãe (2016), as a way of analyzing aesthetic strategies and resources poetic-discursive that structure the writing of two peripheral marginal authors of São Paulo, in which they relate literature, ethnicity, cultural identity and territory. The works integrate a network of dialogues and displacements of meanings that relates to the African Diaspora, the strategies of resistance, negotiation and elaboration of the identities of Afrodescendants and the cultural aspects and everyday experiences of the black being in the contemporary urban periphery. They delineate the black and peripheral body that transits in the urban space, as well as discursive and identity productions that dialogue with different codes and supports and that cause ruptures in the literary and linguistic canon and deconstruct stereotyped and discriminatory images, structuring a peripheral afro-marginal poetics. The procedure of analyzing the works is based on the comparative method of poetical dictions and the aesthetic elaborations of writers, as a way of highlighting the unfolding of the AfroDiaspora and Afro-Descendant aesthetics in contemporary peripheral marginal literary production. The approximations and differences between the writers base the singularities inherent to them in the process of construction of their poetic making and the black and peripheral body that is transposed in written handwriting. The analysis is based on the theoretical elaborations on cultural identity and its relations with ethnicity and the black diaspora, formulated by Stuart Hall (2003), and the reflections on black political and cultural history in the West, developed by Paul Gilroy (2001). Feminist criticism, especially related to black feminism, like the theoretical postulates of Djamila Ribeiro, Conceição Evaristo, Carla Aktirene, Joice Berth, Lélia Gonzales, Sueli Carneiro, bell hooks, Angela Davis, Patricia Hill Collins, Judith Buttler, Kimberlé Crenshaw, support the problematization of intersectionalities and the feminine, black and peripheral poetic subject in the process of elaborating a feminine identity in the periphery. Still grounding the discussion on oppressive factors that intersect, the notion of urban territory, which assumes the centrality of enunciation and statement, is taken from the geographical studies developed by Milton Santos, Rogério Haesbaert and Carlos Walter Porto-Gonçalves.
Histórias cruzadas: mazelas do Brasil na obra de Graciliano Ramos (em diálogo com a filosofia de Theodor Adorno)
(Universidade Federal do Espírito Santo, 2015-10-20) Freire, Pedro Antônio; Salgueiro, Wilberth Claython Ferreira; Amaral, Sérgio da Fonseca; Loureiro, Robson; Merçon, Francisco; Silva, Paulo Muniz da
This study recognizes the importance of the work of two of the most important thinkers of the twentieth century by relating Brazilian novelist Graciliano Ramos" and the German philosopher Theodor Adorno" works. The former, in the archaic and mystical Alagoas hinterland, and the latter, in the sophisticated and idealistic Frankfurt, both started out their careers before the Second World War and, despite the quite different contexts, both suffered serious consequences due to their posture. The author of Vidas secas (Barren Lives) was raised in an extremely punitive household due to his parents" socioeconomic condition and religious views. As an adult he bore fascist persecution that resulted in his imprisonment during the dictatorship of Getúlio Vargas. The German-Jewish carried out a permanent toil against Hitler"s National Socialism since his early academic preparation and later with the foundation of the Institute for Social Research in Frankfurt, a decision that forced him into exile. After the war was over, he resumed his considerations in opposition to the capitalist system and Regimes of Exception. As for Graciliano, his time in prison prompted him to elaborate narratives drawn from his own mishaps and problems of Brazilian society. The fact is that both, each in their own way, made their works vehicles of criticism and contestation of established powers and values. This dissertation aims to articulate a "cross-history", bringing up the discussion of some concepts – such as grief and gloom, disaster and trauma, atheism, non-identical, art and work, literature and nationalism, language and society – that are a constant presence in theirs books, which, in short, interpret the world as a permanent catastrophe.
Humor e história em mendigos : narrativas de Alphonsus de Guimaraens
(Universidade Federal do Espírito Santo, 2024-04-17) Fernandes, Danielle Fardin; Salgueiro, Wilberth Claython Ferreira ; https://orcid.org/0000-0003-3817-4738 ; http://lattes.cnpq.br/4872315380917914 ; https://orcid.org/0000-0002-7002-9234; http://lattes.cnpq.br/6945741688204156; Ricieri, Francine Fernandes Weiss ; https://orcid.org/0000-0002-4541-3090; http://lattes.cnpq.br/7785345123349630; Amaral, Sérgio da Fonseca ; https://orcid.org/0009-0009-8382-733X; http://lattes.cnpq.br/9383077540938356; Pontes Junior, Geraldo Ramos ; https://orcid.org/0000-0003-4669-3992; http://lattes.cnpq.br/6514258191906759; Arendt, Joao Claudio ; https://orcid.org/0000-0003-1155-4968; http://lattes.cnpq.br/4108580744111952
Alphonsus de Guimaraens published the book Mendigos in 1920, shortly before his death (in 1921). In the book, there are 44 chronicles and a poem. These are narratives that address multiple subjects, but have a very frequent resource, which is humor, in the broadest sense. This is because the humor he creates does not provoke easy laughter, but requires reflection and deciphering elements not always visible to the reader, especially the contemporary reader. The thesis proposes to examine a large part of these chronicles, analyzing them in the light of humor. Before, however, we make considerations about Symbolism (Brazilian and European) and the concept of humor, using in particular texts by Sigmund Freud, Henri Berg son, Vladimir Propp and Elias Thomé Saliba. The analysis of the chronicles brought to light the existential, philosophical and even epistemological conflict of the writer who, living in a hegemonically religious world, even more residing in the baroque environment of Minas Gerais, does not fail to criticize Christian values and characters, without, however, disconnect everything from the metaphysical imagination. The thesis seeks, then, to point out the emer gence of humor precisely in this in-between place where the fissure of faith allows humor to break out, in the form of laughter, irony, wits, mockery and even jokes
Leminski: misturas e rarefações – entre te(n)sões e paixões
(Universidade Federal do Espírito Santo, 2021-04-15) Tavares, Felipe de Almeida; Amaral, Sérgio da Fonseca; https://orcid.org/0009-0009-8382-733X; http://lattes.cnpq.br/9383077540938356; https://orcid.org/0000-0001-7550-8085; http://lattes.cnpq.br/4909857265280483; Pizzol, Rafaela Scardino Lima; https://orcid.org/0000-0002-6025-1026; http://lattes.cnpq.br/8597229308090828; Ferreira Filho, Benjamin Rodrigues; https://orcid.org/0000-0003-4149-0686; http://lattes.cnpq.br/4826614273915824; Silva, Paulo Muniz da; https://orcid.org/; http://lattes.cnpq.br/1049871446009539; Soares, Luis Eustaquio; https://orcid.org/0000-0002-1430-4705; http://lattes.cnpq.br/2213072997694353
Many of those who have worked on Leminski oeuvre recognize him as a writer capable of synthesizing antagonisms, with examples marked by the union of different artistic expressions or literary genres, of poetry and music, of popular culture and the erudite, of the East and West, among others. Considering this wide range of elements, the purpose of this work is to study the Leminskian poetry based on the thesis that his poems are composed through a practice we term as poetry of mixture and rarefaction, which results in wider intensity and extensity of the effects of his poetry. It is on this path, opened by the poetic sign, that Leminski finds his voice, a voice that, in search for the new and for the expressive freedom, affects varied readers, due to the fact that it articulates with different cultural aspects as it brings to the surface the particular effects of this poetry. One of the methodological approaches will be through the semiotic analysis of the poems, observing the effects and affects provided by this poetics, as well as its unfoldments. Including: the mixture of the senses through synesthesia; the mixture of words and their concepts; the breaking of aesthetic, cultural, media and even philosophical boundaries, creating a dialogue between different platforms and worldviews; the multiplicity of voices and the diminishing of the author’s voice (caused by the mixture and rarefaction of beings), lending more autonomy and spontaneity to the poetic text and a transformative subversion in opposition to the oppressive values, amid other important aspects for the appreciation of his style. As the central of our inquiry, we propose the reading of two books: Caprichos e relaxos and Distraídos Venceremos. Works which impacted the beginning and the end of his trajectory in life. As theoretical apparatus, considering the diversity of Leminskian mixtures, we approach interdisciplinarity in a certain way, combining the tensive semiotic by Fontanille and Zilberberg; the semantics and the philosophy, through authors such as Roland Barthes, dealing with his concept of pleasant and impertinent reading; Deleuze, especially regarding the mixture between beings and its resulting effects, as well as other names that enhance our understanding of this 1970’s generation poet, who is still today one of its most popular names.
Lírica e esquizofrenia: alucinação verbal, autismo e maquinação em Murilo Mendes
(Universidade Federal do Espírito Santo, 2017-12-14) Ribeiro, Jiego Balduino Fernandes; Soares, Luis Eustáquio; Albertino, Orlando Lopes; Amaral, Sérgio da Fonseca; Craia, Eladio Constantino Pablo; Oliveira, Anelito de
Este trabajo tiene como objetivo analizar la lírica de Murilo Mendes, a partir de un estudio de las relaciones fructíferas que se pueden establecer entre la obra poética y la producción esquizofrénica. Nos ocupamos de una diversidad teórica, una variedad de perspectivas, en relación con los mundos de la estética y de las psicosis, especialmente Foucault, Deleuze y 9 Guattari, con el fin de investigar las conexiones y cortes entre los dos cuerpos: Lírica y Esquizofrenia, llevamos a cabo estos productos para la crítica de la poética muriliana. Convergência, Poesia Liberdade y Poemas, los libros analizados. En universo de la locura moderna, tres conceptos guiarán nuestro estudio sobre la lírica de Murilo y la lírica moderna, la alucinación verbal, autismo y maquinacción, lo que implica también la apreensión nervosa de los mecanismos poéticos, los juegos de relación erótica-sagrada, el juego de lenguaje, la retórica de las imágenes, moviéndose contra la política de la realidad consciente, contra el monólogo de la razón y la reducción de la vida. Nos damos cuenta de que la tradición interpretativa de la obra Murilo mostró un problema de la unidad. Muchos críticos han tratado de proponer una presentación completa de su poesía, aunque se reconoce la dificultad del envío de un juicio final. En la otra dirección, queremos producir, a partir de las nociones de psiquiatría, psicoanálisis, historia, esquizoanálisis, estética, de la cultura poética occidental, diálogos intensos con partes de la literatura de Murilo, discutiendo las artimañas de la vida moderna, especialmente, en el punto, quizá, más intenso – la esquizofrenia. Por lo tanto ya no es un concepto médico, o identidades clínicas, o diagnósticos calientes, o una hospitalidad sutil, pero una producción de subjetividad. Queremos apreciar, en verdad, como nuestro poeta experimenta las formas de sentir el mundo.
Muros de todos e de cada um: uma murologia
(Universidade Federal do Espírito Santo, 2014-10-31) Silva, Paulo Muniz da; Amaral, Sérgio da Fonseca; Nascimento, Jorge Luiz do; Sodré, Paulo Roberto; Cunha, Eneida Leal; Pinto, Wilson Coêlho
Voyage littéraire et architectural sur les murs, mettant en évidence les contradictions entre délimiter et lésiner; confiner et abriter; et d'embellir et de polluer. Monnaie courante dans la vie quotidienne et récurrente dans la littérature, ce qui est connu sur l'histoire des murs dans leurs expériences quotidiennes et les textes, en plus de leurs fonctions pour entourer protéger et maintenir? Comme nous ne savons pas les murs en face de nous, donc les distinguer couramment dans la surface bombée de banal, nous ne savons pas la signification qu'ils attachent à la vie quotidienne et dans de nombreux domaines de la connaissance. Au-delà des périmètres d'isolement, la vie privée et à la protection, si les murs agenciariam réception, les émissions et les émissions divers graphiques et documents iconographiques, que l'impact de l'environnement dans lequel ils opèrent. Pour vérifier ces impacts, nous regardons des textes de différents régimes discursifs et des auteurs tels que Coulanges (2006), Mumford (1991), Marcuse (2004), Zanotelli (2014), Herkenhoff (1983), Péré-Christin (2001), Eco (2010) e autres plus, les murs de certains de ses aspects. Dans le niveau d'achèvement, nous prévoyons qu'audelà hostile, accueillant, à l'origine, d'ornement et pollueur, le mur que l'écran peut aussi être potentiellement poétique parce que, comme "Cloud Peintre" et photographe, est en mesure de proposer des images.
Raízes do Brasil e Macunaíma: narrativas e ressonâncias em torno da identidade nacional
(Universidade Federal do Espírito Santo, 2016-09-06) Telis, Régis Frances; Almeida, Júlia Maria Costa de; Amaral, Sérgio da Fonseca; Salgueiro, Wilberth Claython Ferreira; Lima, André Luiz Dias; Freire, Pedro Antônio
This work is about the concept of cordiality developed by Sérgio Buarque de Holanda in Raízes do Brasil, comparing it with Mario de Andrade’s Macunaíma. In order to achieve it, we must consider the period when such works were produced; they were both written during a context where possible Brazilian identities representations were being searched, in the 1920s and 1930s, under the perspective of Modernism. The cordiality, such as expressed by Sérgio Buarque de Holanda, is a characteristic of our social formation, which was contrary to ritualism and aimed the affectivity. Such characteristic was not synonymous of “kindness”, but it meant only that the national character opposed itself the most from the modern rationality, preferring the actions from the heart. The analysis of our formation by Sérgio Buarque de Holanda privilege the psychosocial aspects and also highlights the personalism, patrimonialism, moral aversion to work, lack of hierarchy sense and social cohesion, besides the lack of ethnic sense. This perception can be related to the work of Mário de Andrade, where an emotional based ethics is valued by the main character. He is characterized by having an adventurous spirit, also by being careless, luxurious and personalist. Regarding this perspective, the studied authors consider our nationality in a formation process, creating a representation of what would better correspond to a Brazilian national identity. Authors such as Benedict Anderson, Homi Bhabha, Stuart Hall and Silviano Santiago, present a perspective that approaches those literary and historiographical narratives as ways to narrate the action, tensioned in between the rural and the urban, the ancient and the modern, the homogeneity and the difference.
Tradição, tradução, hibridismo e resistência da identidade afro-brasileira na literatura amadiana
(Universidade Federal do Espírito Santo, 2017-09-25) Nascimento, Aline Santos de Brito; Nascimento, Jorge Luiz do; Miglievich-RibeiroAdélia, Maria; Amaral, Sérgio da Fonseca; Costa, Decio Bessa da; Simões, Maria de Lourdes Netto
It studies the Afro-Brazilian identity in the literature of Jorge Amado, through the characterization of traits of tradition, introduction, hybridism and resistance. It justifies that the analysis of the characteristics of the Afro-Brazilian ethnic group are vectors for the critical formation of the citizen and the valorization of those who identify with him. The new and the old, the global and the local are paradigms that mix them in the compositions under analysis, allowing the observation of Afro-Brazilian culture from a less conservationist line, recognizing the evolution of identities, which is the problem of this research. The general objective is to analyze the evidences of tradition, introduction and hybridism present in the Afro-Brazilian literature of Amado. The specific objectives are to characterize the literature of Amado; to identify the traits of Afro-Brazilian identity and resistance; and to analyze aspects of tradition and introduction that allow to classify them as hybrids. The methodological procedures include the collection of data with bibliographic research. The analyzes include the thematic axes tradition/innovation, symbology; space/time, territoriality and temporality; and social actors. The theoretical assumptions mainly discuss concepts such as displacement, marginal, race, class, gender, cultural traditions and hybrid (BHABHA, 2001); identity, collective memory, power, religion and culture (CASTELLS, 1999); ethno-racial characteristics of black person (SCHWARCZ, 1993); binary logic black/white; autochthonous/foreign; me/other (BERND, 2003); candomblé (SALAH, 2008); black woman and how to deal with the body (SACRAMENTO, 2012); and mulatto woman as a result of clandestine lovemaking (GUMÉRY-EMERY, 2004). Also it discusses "frontiers" of literature, fiction and non-fiction (BOSI, 2013); dialogues reinforced by the contemporary novel (BAKHTIN, 1998); desire to remake history (CERTEAU, 2011); theory of reception (MAINGUENEAU, 2001); search for identity and ethnocentrism (TODOROV, 1989); black literature (ALVES, 2002); silence of the marginalized (DALCASTAGNÈ, 2012); blacks denouncing slavery and/or exclusion (RIBEIRO, 2012); resistance (LIMA, SOUZA, 2016); love to land, topophilia (TUAN, 1980); resistance in the literatura of Amado (TEIXEIRA SOBRINHO, 2015); black culture in the literature of Amado (SOUZA, 2007); and defense of miscegenation (PATRÍCIO, 1999). The analyzes present: the discussion "Between the introduction and the tradition: marks of the black identity in Jubiabá" and alert about minority groups that seek the right to have voice and space in an engaged way in social questions; activism in the social movement; respect to cultural identities; and criticism of hegemonies. Investigate "Black identity and eroticism in Gabriela, clove and cinnamon", black and mulatto characters and their relationships of desire, love, passion and eroticism; semantic field of eroticism, and sensuality of the black ethnicity as discourse of the national imaginary. And the results of the study "Tent of miracles: the black intellectual and militancy against the racist elite”, thet clarify that works of Archanjo, mestizo, poor, are only recognized from the interest of a foreigner; and his books represent prejudice, violence and intolerance of whites about the rituals of African origin. The analyzes lead to the conclusion that the respect for diverse cultural identities must be propagated through the dissemination of literature. The results of the research confirm the hypothesis that the literature contributes to the critical formation of the citizen and the valorization of ethnic minorities.

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