Doutorado em Letras

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17525

Nível: Doutorado
Ano de início: 2010
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1503

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A canção dos deslocados: rap e (i) migração em tempos globalizados
(Universidade Federal do Espírito Santo, 2014-12-04) Nathanailidis, Andressa Zoi; Nascimento, Jorge Luiz do; Soares, Luis Eustáquio; Almeida, Júlia Maria Costa de; Gonçalves, Ana Beatriz; Nercolini, Marildo José
This paper aims at performing a comparative analysis between rap lyrics and performances correlated to the phenomenon of immigration. From methodological premises related to cultural and intersemiotic translation, this study has the objetive of comprehending the discoursive content of rappers’ aesthetic works produced by immigrants and their descendants and captured in the cyberspace. Starting from an analytical-comparative study, this research intends to propose problematizations regarding the nature of aesthetic manifestations of this type, as well as the assumed relevance due to its transnational reach, factors which many times come from neoliberal practices and from the ‘post-colonial’ intensification of reality. In order to do so, it will be adopted as an object of analysis productions of Yoka (Brazil/ World); MC Yinka (Africa/ Greece); Anita Tijoux (Chile/ France) and the group Tensais MCS (Brazil/ Japan). So as to enable this proposal, it will also be necessary to use specific theoretical support, which is related to the field of Aesthetic Studies, Cultural Studies and Neopragmatist Phylosophy. Among the authors present in this research are: Júlia Kristeva (1994), Stuart Hall (2007), Hommi Bhabha (2007), Rogério Haesbaert (2009), among others.
A crônica e a crônica de José Carlos Oliveira em 1968: o império do sério e do útil
(Universidade Federal do Espírito Santo, 2015-09-28) Gonring, José Irmo; Nascimento, Jorge Luiz do; Albertino, Orlando Lopes; Amaral, Sérgio da Fonseca; Mendonça, Carlos Vinicius Costa de; Alves, Gabriela Santos
This study main focus is the book Diário da patetocracia – crônicas brasileiras 1968, by José Carlos Oliveira (Vitória, 1934-1986). Since there is no official status for the Brazilian crônica, we had to infer it based on a historic approach beginning with the XIX century, when Machado de Assis sketches a definition for the genre – still addressing the ancestral serial – as the marriage between the useful and the futile with the serious and the frivolous. In JCO's texts published every day in Jornal do Brasil and later collected in the aforementioned book (a posthumous work), we see an author working against the futile and the frivolous, as well as against the lyricism/intimism derived from bossa nova that characterized the crônica in the 1950s and 1960s. The social tension of that era would find a José Carlos Oliveira always ready, in his daily column, to address relevant topics in a serious and persuasive way, making it even difficult for us to call some of his texts “crônicas”. As a man of his time, in “situation”, openly existentialist, he answers those requests with a sartrean “commitment”. In order to understand the author's attitude, we resort to Bakhtin's concept of Architectonics of Answerability. We propose that it is possible to connect these two perspectives in order to identify the dynamics governing the individuals' ethical attitudes. In the examined texts from 1968, our evaluation is that the ethical dimension overlaps the aesthetical one.
A escrita de Maura Lopes Cançado: um contraponto com a (des)articulação da linguagem do louco
(Universidade Federal do Espírito Santo, 2017-11-17) Custódio, Márcia Moreira; Trefzger, Fabiola Simão Padilha; Pizzol, Rafaela Scardino Lima; Souza, Aline Prúcoli de; Jardim, Alex Fabiano; Borges, Alexander Jeferson Nassau
This doctoral thesis aims to research and analyze the literary writing by Maura Lopes Cançado, with the assumption that exist relationship between literature and madness. The writer's works, Hospício é deus and O sofredor do ver, show aspects that particularize Maura's narrative and language the narrative that locate the writer in fracture with your time. Within the conception of "contemporary" of Giorgio Agamben, Maura inscribes her in the condition of disconnected, eccentric writer, in disagreement with her time. Privileging the theme of madness, the reading of her works promotes possible links between the life and the work of the author, hospice patient, setting the activity of Maura's literary creation, simultaneously, as place of memory, of denunciation, of resistance and experience’s bending. The postulates of thinkers such as Maurice Blanchot, Heloisa Buarque de Hollanda, Flora Sussekind, Michel Foucault, Erving Goffman and others support this reflection. Once the Maura's writing shows in its elaboration the structure and the theme of violence, repression and pain, giving voice to a community closed in hospice, the manifestation gives a testimonial content in his works, whose approach will by the studies Jaime Ginzburg and Márcio Seligmann-Silva.
A escrita literária e a Olimpíada de língua portuguesa escrevendo o futuro: memórias de uma professora
(Universidade Federal do Espírito Santo, 2017-12-18) Herkenhoff, Joana d'Arc Batista; Souza, Renata Junqueira de; Sodré, Paulo Roberto; Schwartz, Cleonara Maria; Azevedo, Fernando Fraga de; Dalla-Bona, Elisa Maria
This thesis articulates Literature and Education to the theoretical reference of the Cultural History of Roger Chartier (representations, appropriations and practices) aiming to analyze the teaching of the literary writing in the final grades of the Elementary School, with theoretical contributions of Tauveron (2014) and Dalla-Bona (2012), Geraldi (2011), Calkins (1989), Vigotski (2009). It aims, specifically, to analyze the pedagogical proposal of the Teacher’s Notebook, of the official program Portuguese Language Olympiad Writing the Future (Olimpíada de Língua Portuguesa Escrevendo o Futuro), which guides the work with the writing of the textual gender “Literary memories”. The subjects of the research are 26 Portuguese Language teachers from the municipal teaching system of Serra (ES) participants of the continuous formation, identifying profiles from their literary reading and writing histories, initial formation and conceptions on literature and its teaching, by means of questionnaire and semi structured interview. Finally, it describes and analyzes the portfolio of a teacher, who records her planning and work with the gender Literary memories. It is concluded that: a) The gender, as the title announces, deals with contents and practices of the literary sphere. The discourse of the Olympiad, however, in an ambiguous game of incentive and restraint does not evidence the relation of the writings of the students with the writing of experienced writers, both understood in this thesis as “artistic intention writings” (TAUVERON, 2014), what I analyze as instrumentalization of literature, as pretext to the teaching of writing skills in general; b) The selection of literary texts privileges memories of European descendants, contributing to the construction of a memoirist representation that excludes the ancestral memory of the majority of the students of the public schools of Serra (ES), the African matrix memory; c) the appropriation of the pedagogical proposal of the notebook by the teacher cuts short the review stage, what makes one infer a conception of writing as product and not as process, nevertheless, invests in the motivation to the literary writing and in the publishing of the texts of the students, important strategies to development of “author behavior” (TAUVERON, 2014), valuing the work with the gender Literary memories as form of history knowledge and of the culture of the city to the creation of pertaining bonds.
A intuição como método na composição de Água viva (versão final), de Clarice Lispector: a vizinhança da literatura e a filosofia de Bergson
(Universidade Federal do Espírito Santo, 2014-08-26) Oliveira, Carlos André de; Soares, Luís Eustáquio; Miranda, Wander Melo; Chiaretto, Marcelo; Salgueiro, Maria Amélia Dalvi; Azevedo Filho, Deneval Siqueira de
The present study aims to investigate the intuition as the method of creating Clarice Lispector process, analyzing the relationships between literature and philosophy. It can be seen in the writings of this author a thinking experience with literary language in the vicinity of philosophy. The Water Live text (final version), border text, which is located in the medial space, the margin between the literary and philosophical, is the main corpus of this work, allowing certain boundaries. However, other texts Clarice also serve as support of research. The hypothesis guiding this research would be that the literary work of this author was ever actually thought about. No logical thinking, rational, Cartesian or existentialist. But another mode of thought: the thought behind the thought, the duration, and its variations, which in our view is directly linked to intuition and allows closer Clarice Lispector and the philosophy of Henri Bergson. But our goal is not to seek a relationship of absolute identity between the literature of Clarice Lispector and the philosophy of Henri Bergson, but to find becomings which are linked with or coexist in levels, in areas of proximity, indiscernibility, undifferentiated . The intuition that appears in the text of Clarice Lispector is not identical to Bergson (philosophical intuition), but another kind of intuition: the aesthetic intuition that goes further than philosophy because it makes things more in length, putting us directly duration in real temporality.
A literatura infantil no Espírito Santo no séc. XXI e o desvelar do autor-distribuidor
(Universidade Federal do Espírito Santo, 2015-08-31) Oliveira, Ivana Esteves Passos de; Dalvi, Maria Amélia; Ribeiro, Francisco Aurelio; Sodré, Paulo Roberto; Klauck, Ana Paula; Delmaschio, Andréia Penha
The children's literature chain in Espírito Santo – which beginnings are found in the 1980 decade, towards the 1990 decade, mainly with the emergence of the cultural incentives laws – comes growing to the XXI century, but with at least two impediments to its setting: the divulgation and the circulation of the children’s books produced in Espírito Santo. Contemporary, the independent publishing is the most frequent praxis: an author who produces, publishes, advertises and distributes his books, without an organized editorial-literary support. To understand the handicrafty dynamics of this children’s literature in Espírito Santo, a ethnographic research methodology was sought, with the consubstantiation of the genetic critical studies, ant it aims to know discourses and practices related to five writes that are involved with children’s literature chain in Espírito Santo (Elizabeth Martins, Francisco Aurélio Ribeiro, Ilvan Filho, Neuza Jorden and Silvana Pinheiro), that could let us see, by transcribed interviews and primary documents, traces of the children’s book production chain. Procedures and processes are studied where the author is impelled to transmute himself in roles other than the aesthetic creation. The children’s books writers in Espírito Santo articulations and the modus operandi were sought as mechanism to unveil the children's literature chain in the targeted context. The goal of this study is to outline a radiograph of the field, that articulates the local context to the other contexts. Among the theorists who we were based on, Hunt, Lajolo, Zilberman and Coelho (children’s literature in the world and in Brazil), Fonseca Reis (production chain in culture), Willemart (genetic critical studies) and diferent autors that writes about ethnographic research are highlighted.
A máquina literária em movimento de guerra: uma leitura de seis contos de Rubem Fonseca
(Universidade Federal do Espírito Santo, 2016-09-30) Rozário, Jefferson Diório do; Trefzger, Fabiola Simão Padilha; Amaral, Sérgio da Fonseca; Nascimento, Jorge Luiz do; Silva, Paulo Muniz da; Pimentel, Daise de Souza
The reading of literary production by Rubem Fonseca identifies inside a recurring theme: the opposition to the State power. Evidenced this point, based on the narratives of the stories "Feliz ano novo", "O Cobrador", "Fevereiro ou Março", "A força humana", "A matéria do sonho", "O livro de panegíricos", and other writer's books , we discuss and we examine some of the affections and perfections of these literary works, in a possible dialogue with the concepts of the War Machine and Nomadism, by the philosophers Deleuze and Guattari. The social formation requires the establishment and maintenance of various systems, which are supported by various speeches and machinery. Among these systems, some of them are preponderant, but they do not prevail without others, even though lurking, they act in contradiction to the model that prevails. The State is one of those prominent compounds, actually it is a form of central power in society , supported by speeches, attitudes, ideologies, finally, a range of elements that together form up the State machine. Averse to it, there is the war machine a kind of counter-movement to the determination of the state power. This machine is a nomadic breeding and it has the nomadism as its foundation. In this sense, it will be analyzed the fonsequiana literary representation of a subjectivity that is defined by a counter movement to the determinations of discourse that arises as a central and prevailing in contemporary society.
A melancolia de resistência como identidade: um estudo sobre as obras Mayombe e A Geração da Utopia de Pepetela
(Universidade Federal do Espírito Santo, 2018-04-27) Silva, Cibele Verrangia Correa da; Ribeiro, Adelia Maria Miglievich; Soares, Eliane Veras; Nascimento, Jorge Luiz do; Soares, Luís Eustáquio; Santos, Rubens Pereira dos
This thesis analyzes two pieces of modern Angolan literature: Mayombe (1980) and A Geração da Utopia (1992), by Angolan writer Pepetela. We seek to develop an analytical and comparative study between the aesthetic and structural elements of both works, focusing on the narrator and main characters figures in order to problematize the political engagement present on Angolan literature from the decolonization period. We bring the hypothesis that a specific melancholic discourse highlights the identities that suppose resistance to the colonial yoke and to the new nationalist commands. This proposed study reason can be searched specially on the fact that the engagement and melancholy of the author is, also, of people who constitute its identities in a post-colonial context, in the tensions of cultural hybridity, displacements, transits, divisions and fissures of modern project, which brings out a variety of struggles around, among others, blackness, pan-Africanism, tribalism, Angolanity, gender relations, traditions and their translations, neoliberal advancement, disenchantment, melancholy and resistance.
A mulher e o feminino em livros didáticos contemporâneos de literatura para o ensino médio
(Universidade Federal do Espírito Santo, 2018-02-27) Elisbon, Eudma Poliana Medeiros; Dalvi, Maria Amélia; Garbero, Maria Fernanda; Pin, Adriana; Araújo, Débora Cristina de; Silva, Arlene Batista da
The main objective of this research - part of a set of studies developed by the interinstitutional research group "Literature and Education" - is to trace representations of the woman and the feminine given to see in the textbook of Portuguese Language and Literature of High School, an object/support that proposes and organizes knowledge in literature for the final years of basic schooling and that, even with its ephemeral and pedagogical character, plays a fundamental role in the process of forming new readers. Therefore, we have developed an investigation focused on understanding how socially disseminated female stereotypes, historiography and literary criticism are appropriated by textbooks within literate cultural communities. Thus, we set out to examine the ways in which the textbook of High School, notably from the topics of literature, relates to literary and social discourses and practices regarding the theme of gender. Beyond literature review pertinent to gender issues with Joan W. Scott; of identity elaborated by Stuart Hall and Tomaz Tadeu da Silva, we made use of Roger Chartier's notions of practices, representations, appropriations, cultural object and interpretive community. Thus, the methodological incursion will consist of three stages: the first, a thorough evaluation of two didactic collections among the ten titles selected and recommended by the National Program of the Textbook for High School (PNLD / 2015); the second, an analysis of the discourses of teachers and students, their practices and appropriations of the textbook, from the participant observation of classes whose central theme revolves around the representations of gender, especially women; and, finally, the constitution of a focus group composed of students from the classes observed in two public high schools in the city of São Mateus / ES, aiming to analyze the appropriation of the different forms of representation of feminine and women by the light of theories of the New Cultural History - a strand concerned with the "unimportant" - both when we refer to the textbook, and the notion of representation of women and feminine.
A pintura na literatura: linguagem plástica em Não entres tão depressa nessa noite escura, de António Lobo Antunes
(Universidade Federal do Espírito Santo, 2016-08-26) Souza, Aline Prúcoli de; Almeida, Júlia Maria Costa de; Sodré, Paulo Roberto; Paz, Gaspar Leal; Fernandes, Evelyn Blaut; Navas, Diana
Based on the book-poem Não entres tão depressa nessa noite escura (Don’t enter that dark night so fast), by the Portuguese write António Lobo Antunes, the correlation between literature and painting is analyzed, aiming at understanding how the plasticity of his language manifests itself when comparing the book to a painting. Departing from four basic elements in a pictorial composition – frame, lines, colour and surface –, we have performed a homological and analogical analysis of António’s textual weaving. It was of great interest to us to understand the new meaning possibilities which the fusion between both arts may offer and add some contribute to the critical discussions around the topic, bearing in mind Lobo Antunes’ narrative. Therefore, it was necessary to revisit the first lines of thought about interart relationship, as well as understanding its current configurations. Our analysis is based on the theoretical writings of thinkers who work (on) the frontier between both languages, such as Anne-Marie Christin, Julio Plaza, Márcia Arbex and George Didi-Huberman. We aim at clarifying the fact that more than reading a text or looking at an image, we can look at a text to learn how to read its structure, as we can read an image when we look at its architecture. The homological and analogical exercise proposed based on a structural and functional approximation of two artistic universes called our attention to the existence of important aspects, which are beyond what a narrative may present in its theme. This way, it was offered to us a new key to read not only António’s text, but literature in general. The research has shown, at last, that (re)integration of two artistic areas makes it possible not only to semantically enrich artistic objects, but also and foremost to intensify the interpretive capacity of those who receive them aesthetically.
A recepção da obra de Paulo Coelho pela crítica literária e pelo leitor
(Universidade Federal do Espírito Santo, 2014-10-31) Pin, Adriana; Soares, Luís Eustáquio; Martha, Alice Áurea Penteado; Salgueiro, Maria Amélia Dalvi; Oliveira, Anelito Pereira de; Oliveira, Jurema José de
We propose a study onthe reception of Paulo Coelho’s work by literary critics and readers, involving culture industry, from the perspective of Sociology of Literature.The research is justified by the large number of readers that Paulo Coelho’s work reaches: it is translated into 81 languages and it is read in 168 countries, with good acceptance by different readershipprofilesand by many literary critics from other countries.In Brazil, the writer’s productionis received with a littlereserve by literary criticism. The interventions of the culture industry are discussed through a dialogue established between Theodor W. Adorno, Max Horkheimer, Pierre Bourdieu, Umberto Eco, Luiz Costa Lima and Muniz Sodré. Then a discussion about aesthetic valueis established related to contemporary literature. Later, we discuss the recurring thematic elements and the closeness ofcoelhana’s narrative with orality, from the influence of songs written in partnership with Raul Seixas and the role of parable and fable genres.The critical reception is analyzed, based on studies of Mario Maestri, Eloésio Paulo, theses and dissertations, among others. The reader reception as theoretical contribution Antonio Candido and Roger Chartier, among others, supported on the Aesthetics of Reception, specifically in Hans Robert Jauss studies and Regina Zilberman.It is analyzed the reception of Paulo Coelho’ workby readers of thesocial network called Skoobin order to verify the level of gender, age, education, socioeconomic and cultural conditions and theirreading impressions. When we try to understand these subject readers, historically, and drawing on other aspects (rather than aesthetic) presented Sociology of Literature, it is possible to establish dialogues between the preferences of those readers with works already legitimized by theory and literary criticism, expanding their repertoire and also contributing to the mediation and promotion of reading in Brazil.
A representação do espaço na Odisseia: definindo isotopias, heterotopias e utopias na Grécia antiga (séculos X-VIII a.C)
(Universidade Federal do Espírito Santo, 2014-08-18) Gabrecht, Ana Penha; Silva, Gilvan Ventura da; Lima, Alexandre Carneiro Cerqueira; Sebastiani, Breno Batistin; Lessa, Fábio de Souza; Trefzger, Fabíola Simão Padilha; Leite, Leni Ribeiro
The Ancient Iron Age (12th -8th b. C.), in continental Greece, was a moment in which communities were transitioning from a process of isolation. After the destruction of the Mycenaean palaces – a series of simultaneous events that took place around the turn from the 13th to the 12th century b. C. – the Greek world plunged into a period that lasted about four centuries – between the 11th and the 8th centuries b. C. – in which an accentuated reduction of material production and of demographical development was felt. At the same time, the disappearance of written documentation hampers the understanding of what happened during those centuries. A researcher interested in that period of Greek History is able to use, besides the analysis of elements of material culture, the two epic poems traditionally assigned to Homer: the Iliad and the Odyssey. Orally transmitted through a long chain of rhapsodes and fixed in writing around the 7th or 6th century b. C., they transmit important information about the societies that lived in Greece at different moments in time. While we are aware that the works attributed to Homer are poetic texts, we believe that Literature can be an important instrument to historians, if we consider that literary genres are closely related to the historic conditions that produced them. Therefore, in this research, we decided to use the Odyssey as source of analysis, because it is considered to have been composed later than the Iliad, and, consequently, more representative of the final phase of the Ancient Iron Age. We will refer, especially, to the process of formation of new Greek settlements outside of continental Greece, mainly in the Italic Peninsula, which represented, in our opinion, a reconfiguration in how space is understood. We believe that, based on excerpts of the Odyssey, it is possible to understand the process of formation of identities and alterities in the Greek world, especially during the 7th century b. C., the period in which we concentrate our studies, because that was a moment of radical transformation for the Greeks. In this reseach, we associated the spaces described by Homer, to the concepts of isotopia, utopia, and heterotopia as developed in Henri Lefebvre’s theoretical table, in order to capture how one could define a Greek identity. Keywords: Odyssey. Homer. Space.
A retórica da alteridade na “Relação da missão da serra da Ibiapaba”, do Padre Antônio Vieira
(Universidade Federal do Espírito Santo, 2018-12-03) Santos, Fernanda Cristina da Encarnação dos; Franco, José Eduardo; Sodré, Paulo Roberto; Machado, Lino; Leite, Leni Ribeiro; Lachat, Marcelo; Sodré, Paulo Roberto
Antônio Vieira documents his travels, in the seventeenth century, through letters (epistolography) and various narratives. Among these texts is "Relação da missão da serra da Ibiapaba", produced in 1660th. In an attempt not only to write, but also to represent and legitimize his writing and his action, Vieira finds, in his discursive practice of travel, a multiplicity and a comprehensiveness of circumstances and places of writing, with several recipients. Thus, it is sought to analyze, in a rhetorical perspective, the "Relação da missão da serra da Ibiapaba", a narrative based on the rhetorical preceptives of Instituição Oratória, from Quintilian, and Do orador, from Cicero, fundamental works for the ignatian Order. The study of François Hartog (1999), in which the rhetorical categories from Herodotus's work, such as "comparison", "translation", "nomination", "classification", “inversion” and “converting”. These categories make possible the analysis of the rhetoric of alterity in the text "Relação", since they allow the Vieira’s narrator to describe and classify the indigenous tabajaras of the Ibiapaba mountain range. The thesis observes a narrative that is a solid component of several other writings about natives, produced by Antônio Vieira between 1650 and 1660th , in which the rhetoric-argumentative preceptives are maintained, in defense of a greater cause: the evangelization of the native tabajaras and the presence of the Jesuits in the Ibiapaba mountain range. The rhetorical analysis also allows us to conclude that the tabajaras actively negotiate with the Jesuits, and the considerations about them are not limited to characteristics such as "ignorance", "primitivism", "savagery", understanding them as an integral part of a complex process of colonization, based on the theoretical principles of the FifthEmpire.
A soma incerta do que somos : estudo da poesia visual de Arnaldo Antunes à luz do poema "cromossomos"
(Universidade Federal do Espírito Santo, 2015-10-27) Salomão, Douglas Fiório; Salgueiro, Wilberth Claython Ferreira; Machado, Lino; Salgueiro, Maria Amélia Dalvi; Delmaschio, Andréia Penha; Freitas, Marcus Vinicius de
In this research work, we seek to analyse some aspects of the visual poetry of the multimedia and pop artist, Arnaldo Antunes, in light of the poem “cromossoms”, which is part of the series known as “nada de dna”, i.e, “no dna”, found in the book n.d.a., from 2010. Delineating in an analogous way the logic of gene storage in a DNA molecule, the “chromosomes” graphic design allows it to gather, from its circular anatomy, various information of micro and macrocosm content, which are embedded in the arrangement of their characters. In this sense, in this study, the composition is regarded as a unifying body of poetic themes, features, brands, singularities, and reading dynamics that are present in Antunes’s other works, spaces, and segments, as well as that of his predecessors. Taking these aspects into consideration, we seek to present some of the main records of visual poetry that preceded the author’s heterogeneous repertoire. Later, we offer an overview of the artist’s work, taking into consideration the most significant areas in which the poet marks his entries. Moreover, we enter the field of biology to focus on the genetic aspect, turning our attention to chromosomes components, genes and DNA. Subsequently, considering the phrase “no DNA”, in whose enunciation we depict the rejection of a deterministic order, often found in the scientific field, we seek to examine the contents of that denial process, which is also present in the literary context, since the poet refuses to acknowledge any inheritance links and affiliation in relation to his peers. Finally, based on psychoanalysis concepts, semiotic elements, intertextual resources, and also on data collected from works that were carried out throughout this research, we conclude that Antunes’s compositions – although they are sometimes marked by an apparent refusal of the genetic genealogy order – are affected in some ways by codes, and by a number of inscriptions that he inherited from his predecessors.
A via crucis do desejo feminino : um estudo sobre a escrita de Clarice Lispector
(Universidade Federal do Espírito Santo, 2016-12-14) Bourguignon, Cristiane Palma dos Santos; Coser, Stelamaris; Miranda, Ana Augusta Wanderley Rodrigues de; Soares, Luís Eustáquio; Delmaschio, Andréia; Sant’Anna, Alexandre
Cette thèse a pour but de discuter de la présence du désir féminin dans la fiction de l’écrivain brésilienne Clarice Lispector. Le corpus de la recherche est le livre polémique A via crucis do corpo, publié par l’écrivain en 1974. Le volume a été très mal reçu par la critiquée de l’époque du lancement et a été peu traduit jusqu’à présent. Commandé pour parler de le sexe, l’oeuvre est beaucoup critique, élaborée sur le ton ironique avec les récits qui exposent la complexité humaine. En critiquent le marché littéraire, ce livre utilise le sexe comme thème pour traiter d’autres questions, par exemple la violence et l’opression. D’après une approche entre la littérature de la psychanalyse, cette recherche aborde des explications sur le dévellopment de la sexualité, en considérant les théories freudiennes et lacaniennes sur la feminilité. Avec de l’ironie sur les thèmes complexes et dangerereux, déjà dans le titre, A via crucis do corpo suggère la présence des traces du feminisme et de l’autobiographie dans ses textes de fiction. La thèse fait un découpage de la fortune critique et académique de l’écrivain et retourne ausssi à la critique feministe fait par Hélène Cixous et Luce Irigaray sur l’écriture clariceénne.
A voz no silêncio : a linguagem performática interditada na canção popular produzida no período da censura do Brasil pós-1964 : o caso Ronnie Von
(Universidade Federal do Espírito Santo, 2016-09-29) Souza, Claudeir Aparecido de; Vermes, Viviana Mónica; Soares, Gina Denise Barreto; Valente, Heloísa de Araújo Duarte; Soares, Luís Eustáquio; Salgueiro, Maria Amélia Dalvi
The muting is the expressed interdiction of the person‘s movement by decision of a strong regulation power. Once, in the authoritarianism, the person is not allowed to fill different positions, which forces, at the same time the production of the senses that are not prohibited to him/her, remains, across the discursivity, the clarification of the silence places, to where the materiality of the speech slides to have meaning. In that perspective, one work of the singer Ronnie Von, produced in 1968, in a full fiercer context of the brazilian military government, mediated by tropicalistic aesthetics, presents a series of elements whereby the muting imposed to singer‘s voice and corporeity, both by his colleagues and the power that had control over the market game, besides the politics of the authoritarian State, can be broken by the senses that slide in the holes created by the discursive game of the work itself, and it‘s singer, both relegated to the silence.
Adornando um velho bandido: Sérgio Sampaio à luz de Theodor W. Adorno
(Universidade Federal do Espírito Santo, 2018-02-19) Barbosa, Jorge Luís Verly; Salgueiro, Wilberth Claython Ferreira; Vermes, Viviana Mónica; Loureiro, Robson; Freitas, Verlaine; Santos, Vitor Cei
Esta tesis se propone a discutir el cancionero de Sérgio Sampaio, compositor nacido en Espírito Santo (1947-1994), tomando como punto de partida la filosofía de Theodor W. Adorno. Tras empezar por una revisitación a los presupuestos centrales del pensamiento adorniano concernientes a la música popular – especialmente los que constan en los ensayos ―El carácter fetichista de la música y la regresión de la escucha‖ (1938), ―Sobre la música popular (1941) y ―Moda atemporal – sobre el jazz‖ (1953) –, amén de valerse de las propuestas presentes en las obras Dialética de la Ilustración (1947), Minima Moralia (1955), Dialéctica negativa (1966) y Teoria Estética (1970), intentamos realizar – en una mirada amparada por el movimiento de ―mediación‖ defendido por el autor alemán como basilar para toda actividad filosófica y toda relación entre los sujetos y los objetos provenientes de la empiría social – una abordaje de las canciones de Sampaio que pueda evidenciar su potencial de crítica a lo existente y su uso creativo de las relaciones estandarizadas inherentes a los productos de la indústria cultural (de la cual participa la própia canción popular), así como también aclarar la comprensión acerca de las ideas fuerzas de la constelación del pensamiento de Adorno, promoviendo su actualidad y su valor. Empleando conceptos como estandarización, esquematismo, regresión de la escucha, ilustración, fetichismo, glamourização, reificación, autonomía del arte, contenido de verdad, emancipación, u otros, y revaluandolos – en una actitud a contrapelo de la cristalización conceptual – en la aplicación a una porción importante de la producción de Sampaio, pretendemos destacar como el compositor de Cachoeiro de Itapemirim, también marcado por la barbarie y por el arbítrio da historia brasileña en la década de 1970 (bajo el régimen militar), fue capaz de transferir a los momentos formales de su obra los datos opresivos e inherentes, a él como individuo y al colectivo social. Encuanto artista representante, su obra ha realizado un movimiento emancipatorio por una vía autónoma, antimilitante, transferiendo al material musical el horror de su tiempo. Sus canciones son marcadas por uma historicidad inmanente, es decir, mensurable en el plan estético, en los momentos de su constitución, lo que este trabajo intenta discutir.
Apropriações do bovarismo pela crítica acadêmica brasileira
(Universidade Federal do Espírito Santo, 2016-09-28) Dalvi, Camila David; Almeida, Júlia Maria Costa de; Salgueiro, Maria Amélia Dalvi; Trefzger, Fabíola Simão Padilha; Rocha, Karina Bersan; Carvalho, Letícia Queiroz de
Ce travail analyse des appropriations du concept de bovarysme par une communauté d'interprétation spécifique du Brésil: la critique académique. Ainsi, l'historien Roger Chartier dans ses concepts d'appropriation et de communautés interprétatives sera très important. Dans la première partie de la thèse, composée de trois chapitres, après une discussion sur Gustave Flaubert, sa politique littéraire et son livre Madame Bovary (1857), nous parcourons un chemin de ce qui serait le bovarysme comme notion, puis, avec le soutien de Deleuze et Guattari, en tant que concept philosophique, inventé d’ailleurs par Jules de Gaultier. Nous examinons également la réception du concept et de la philosophie gaultierienne dans la communauté interprétative française à partir des travaux chercheurs comme Delphine Jayot, Per Buvik et Didier Philippot. Dans la deuxième partie de la thèse, nous constituons un corpus d'analyse, inspiré par Archive de Michel Foucault, composé de thèses et mémoires de chercheurs brésiliens et mettons à disposition dans des domaines virtuels pour des analyses quantitatives et qualitatives, les occurrences dispersives du terme. De cette analyse exhaustive, nous présentons trois importants troncs – 1) Psychologie, Modernité et hystérisation féminine; 2) Contemporanéités, Lecteurs et Culture de masse; e 3) Identité Nationale Brésilienne: idées hors de temps et de lieu – pour le concept de bovarysme dans la communauté interprétative universitaire brésilienne dans le but d’être minutieusement discutés et associés les uns aux autres.
As coisas que são uma só no plural dos nomes: poiesis e episteme no diálogo poético de Carlos Drummond de Andrade e Álvaro de Campos
(Universidade Federal do Espírito Santo, 2015-07-17) Corrêa, Danilo Barcelos; Moraes, Alexandre Jairo Marinho; Trefzger, Fabiola Simão Padilha; Borges, Alexander Jeferson Nassau; Rocha, Karina Bersan; Machado, Lino; Sodré, Paulo Roberto
In this study, we verify how in the poems from “A máquina do mundo”, by Carlos Drummond de Andrade, and “A passagem das horas”, by Álvaro de Campos, Fernando Pessoa’s heteronym, the poetic self of each text directs that who recognizes one self in those poems in the sense of getting in touch with what Heidegger calls the “poetry power sphere”, place where poiesis creative forces operate in order to being restoring. Moreover, we will analyze which questionings and conceptualizations are developed by each poet about being, language, poem, poet, poetry and poetic process, putting us closer to the concepts brought forth from Philosophy and Psychoanalysis – especially the writings by Martin Heidegger, Sigmund Freud and Jacques Lacan –, and the Literary Theory and the Poetic studies, especially the writings by Luiz Costa Lima, Jean-Pierre Vernant and Marcel Detienne.
Caio Fernando Abreu por Caio F.
(Universidade Federal do Espírito Santo, 2015-08-19) Kogure, Linda Emiko; Amaral, Sérgio da Fonseca; Lyra, Maria Bernadette Cunha de; Nascimento, Jorge Luiz do; Carvalho, Raimundo Nonato Barbosa de; Chiaretto, Marcelo
This paper aims to analyze the literally work of Caio Fernando Abreu (CFA) through the self written perspective (auto or/and alterfictional) and performance, from two point of views: first from the “travelers” (in permanent deployment from de characters in proximity to the author’s trips) and the other from the personae, mainly, the ones seen in the letters where CFA “shuffles in” other selves, signing different names, such as Caio F. The structure is analog to a travel script, the two point of views studied culminate in a travel log, with novels, tales, letters, “chronicles” and interviews fragments from the author to newspapers and magazines. The travel log is signed by Caio F., the other self that triumphs as a trace of a trace, the literally symbol, the representative, the most iterated persona that substitutes or overlaps more and more the author’s name, even after over three decades from its creation.

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