Doutorado em Ciências Sociais

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17511

Nível: Doutorado
Ano de início: 2018
Conceito atual na CAPES: 4
Ato normativo: Aprovado na 180ª Reunião do Conselho Técnico-Científico da Educação Superior (CTC-ES), realizada no período de 17 a 19 de outubro de 2018, em Brasília.
Periodicidade de seleção: Anual
Url do curso: https://cienciassociais.ufes.br/pt-br/pos-graduacao/PGCS/detalhes-do-curso?id=128

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Navegando Doutorado em Ciências Sociais por Autor "Almeida, Alexandre D'Avila de"

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    Fotografia humanista : uma perspectiva antropológica
    (Universidade Federal do Espírito Santo, 2024-10-23) Libardi, Virgilio Cesar de Mello; Dadalto, Maria Cristina ; https://orcid.org/0000-0002-7925-3929; http://lattes.cnpq.br/1720560349495010; https://orcid.org/0000-0002-3162-6554; http://lattes.cnpq.br/1137521124860191; Rodrigues, Márcia Barros Ferreira ; https://orcid.org/0000-0002-6022-3041; http://lattes.cnpq.br/1531744628299485; Almeida, Alexandre D'Avila de ; https://orcid.org/0009-0008-8230-7175; http://lattes.cnpq.br/7371906759647678; Garrido, Jimena Ines ; https://orcid.org/0000-0003-0070-895X; http://lattes.cnpq.br/; Zanini, Maria Catarina Chitolina ; https://orcid.org/0000-0003-4523-9915; http://lattes.cnpq.br/4222381114451307
    This work focuses on photography, with an emphasis on reflections and theories related to humanistic photography, though the developed ideas can be adapted to a broader photographic practice. The research unfolded from the understanding that a reflexive approach enriches the investigation, facilitating the apprehension of the affects and inferences constructed through biografemas. The methodological approach and theoretical reflections aimed to define photography from an anthropological perspective, with a special focus on humanistic photography. The conceptual foundation is built by exploring my own affective relationship with photography, not only as a producer and researcher but, above all, as a spectator and subject impacted by these objects that mediate intersubjectivities. Next, a theoretical illustrative description of the social relations mediated by photographs is presented, considering the main actors: photographer, referent, and spectator. The theoretical discussion about the photographic nexus is then applied to the analysis of the lives and works of three photographers, articulated through biogrammatic writings. Finally, remarks are presented on the changes brought about by the transition from chemically fixed images to those generated by electronic sensors and binary interpretation. This last section poses a central question about the belief in the photographic image, opening up opportunities for future investigations on the photographic nexus whitin the field of social sciences
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    O Patrimônio Camponês: Aspectos etnográficos de novas identidades rurais em Patrimônio da Penha, Caparaó Capixaba
    (Universidade Federal do Espírito Santo, 2023-09-13) Almeida, Alexandre D'Avila de; Dadalto, Maria Cristina; https://orcid.org/0000000279253929; http://lattes.cnpq.br/1720560349495010; https://orcid.org/0009-0008-8230-7175; http://lattes.cnpq.br/7371906759647678; Paveis, Patricia Pereira; http://lattes.cnpq.br/3952116395952727; Rodrigues, Marcia Barros Ferreira; http://lattes.cnpq.br/1531744628299485; Vargiu, Andrea; Merler, Alberto
    Inserted in the context of contemporary movements to return to the countryside (Fugere Urbem), we sought to describe a neo-rural typology of idealist inspiration that has involved individuals of urban origin attracted by supposed comparative advantages of the rural universe, as seen in the district of Patrimony of Penha, Espírito Santo municipality of Divino de São Lourenço, Brazil. This location, chosen as the geographical area of the research, has stood out in recent decades due to the influx of people from Brazil and abroad in search of a lifestyle different from that of their urban roots. Here, we start from the premise that this transition to rurality attempts to construct a representation of the peasantry insofar as it proposes the resumption of various practices of vernacular communities, such as manual work and work with the land, community reciprocity, customs and religiously inspired beliefs, food with local products, simple clothing, rural architecture etc. However, the effectiveness of this identification with the peasant ethos would be open to question due to the lack of expression of the economic (the link with agricultural work) and cultural dimensions, historically attributed to the peasantry. Furthermore, the urban origin of these individuals could prevent their adaptation to the peasant universe due to a condition of prior reflexivity acquired in cities. Aiming to clarify these and other issues surrounding the genesis of this new agent, the local alternative rural public was approached as a case study in a descriptive and exploratory research carried out in the years 2021-2022. Through participant observation, ethnobiographies of the new inhabitants of the place and content analysis of the speeches, we sought to exhume the justifications for their displacement to rural areas, as well as the strategies used by these subjects to build a neo-peasant routine. The results highlighted the successes and difficulties of this utopian attempt to rescue the rural, which, despite its asymmetry in relation to the native peasant worldview, demonstrated to play an important role in the community articulation of the territory, both in the economic and cultural fields.