Doutorado em Ciências Sociais

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17511

Nível: Doutorado
Ano de início: 2018
Conceito atual na CAPES: 4
Ato normativo: Aprovado na 180ª Reunião do Conselho Técnico-Científico da Educação Superior (CTC-ES), realizada no período de 17 a 19 de outubro de 2018, em Brasília.
Periodicidade de seleção: Anual
Url do curso: https://cienciassociais.ufes.br/pt-br/pos-graduacao/PGCS/detalhes-do-curso?id=128

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Navegando Doutorado em Ciências Sociais por Autor "Dadalto, Maria Cristina"

Agora exibindo 1 - 2 de 2
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    O Patrimônio Camponês: Aspectos etnográficos de novas identidades rurais em Patrimônio da Penha, Caparaó Capixaba
    (Universidade Federal do Espírito Santo, 2023-09-13) Almeida, Alexandre D'Avila de; Dadalto, Maria Cristina; https://orcid.org/0000000279253929; http://lattes.cnpq.br/1720560349495010; https://orcid.org/0009-0008-8230-7175; http://lattes.cnpq.br/7371906759647678; Paveis, Patricia Pereira; http://lattes.cnpq.br/3952116395952727; Rodrigues, Marcia Barros Ferreira; http://lattes.cnpq.br/1531744628299485; Vargiu, Andrea; Merler, Alberto
    Inserted in the context of contemporary movements to return to the countryside (Fugere Urbem), we sought to describe a neo-rural typology of idealist inspiration that has involved individuals of urban origin attracted by supposed comparative advantages of the rural universe, as seen in the district of Patrimony of Penha, Espírito Santo municipality of Divino de São Lourenço, Brazil. This location, chosen as the geographical area of the research, has stood out in recent decades due to the influx of people from Brazil and abroad in search of a lifestyle different from that of their urban roots. Here, we start from the premise that this transition to rurality attempts to construct a representation of the peasantry insofar as it proposes the resumption of various practices of vernacular communities, such as manual work and work with the land, community reciprocity, customs and religiously inspired beliefs, food with local products, simple clothing, rural architecture etc. However, the effectiveness of this identification with the peasant ethos would be open to question due to the lack of expression of the economic (the link with agricultural work) and cultural dimensions, historically attributed to the peasantry. Furthermore, the urban origin of these individuals could prevent their adaptation to the peasant universe due to a condition of prior reflexivity acquired in cities. Aiming to clarify these and other issues surrounding the genesis of this new agent, the local alternative rural public was approached as a case study in a descriptive and exploratory research carried out in the years 2021-2022. Through participant observation, ethnobiographies of the new inhabitants of the place and content analysis of the speeches, we sought to exhume the justifications for their displacement to rural areas, as well as the strategies used by these subjects to build a neo-peasant routine. The results highlighted the successes and difficulties of this utopian attempt to rescue the rural, which, despite its asymmetry in relation to the native peasant worldview, demonstrated to play an important role in the community articulation of the territory, both in the economic and cultural fields.
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    Pretas cervejeiras: uma pesquisa qualitativa sobre consumo e politização em práticas onlife
    (Universidade Federal do Espírito Santo, 2024-07-11) Maestri, Tiare Goulart; Dadalto, Maria Cristina; https://orcid.org/0000-0002-7925-3929; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Oliveira, Osvaldo Martins de; https://orcid.org/; http://lattes.cnpq.br/; Pavesi, Patrícia; https://orcid.org/; http://lattes.cnpq.br/; Silva, Gleicy; https://orcid.org/; http://lattes.cnpq.br/; Portilho, Fátima; http://lattes.cnpq.br/
    This thesis investigates consumption as an everyday practice, endowed with the potential to generate social change, highlighting the racial relations. In the beer scene, traditionally dominated by white men, black women face a diverse matrix of oppressions in contemporary times. The study sought to understand how the onlife practices of Pretas Cervejeiras enable them to transform the context, or contexts, in which they are inserted. This research argues that Pretas Cervejeiras, by incorporating ethical and politicized concerns into their everyday practices and by communicating through their bodily performances on digital platforms, play a crucial role in confronting the oppressions rooted in their own realities and the realities of others. This action transcends the individual scope, promoting the visibility and representation of black women in the beer scene, contributing to the deconstruction of broader oppressive structures. The methodological strategy adopted, drawing on the contributions of cartography (Passos, Kastrup, and Escóssia, 2009) and multisited ethnography (Marcus, 1995), describes the onlife (Floridi, 2015) practices and the organization of Pretas Cervejeiras in the digital environment. The thesis discusses colorism (Devulsky, 2021) and intersectionalities (Akotirene, 2019). It analyzes the politicization of consumption (Boström, Micheletti, and Oosterveer, 2019) and the Afro-entrepreneurship (Nascimento, 2020), and the resistance to systemic oppressions through the politicization of pleasure (Pinheiro-Machado and Scalco, 2022), considering the community created by Pretas Cervejeiras as a form of aquilombamento (Daniels, 2013). Pretas Cervejeiras create and support businesses that celebrate their culture and diversity, challenging dominant narratives and promoting inclusion. For them, consuming and engaging in the beer sector is not just an economic activity but a political act related to the affirmation of an identity. The politicization of consumption and entrepreneurship emerges as a response to systemic exclusion and marginalization. Their experiences reflect the politicization of pleasure, confronting social norms that marginalize the black female body. This pleasure, often denied or limited by classist, racist and sexist structures, finds in beer a means of expression and claim. Thus, these women break away from limiting social expectations of their bodies and redefine leisure and consumption spaces as political arenas.